The article focuses on the verbalisation of the concept woman in P. Zagrebelnyi’s fictional discourse. The artist is analysed, on the one side, as a linguistic personality with his features of psyche, as a representative of a language group, and on the other side, as a creative personality that uniquely represents himself in fictional discourse, creative dimensions with his features of communicative behaviour. The analysis of the concept is performed regarding the achievements of psycholinguistics, gender linguistics, lingua-cultural studies, pragmatically-oriented communicative linguistics, on the basis of anthropocentric and discoursecentric paradigms, that made it possible to identify senses in the structure of the concept and clarify the mechanism of their occurrence. Attention is paid to the writer’s fictional discourse, which is analysed with regard to principles of discourse-a...

The article focuses on the verbalisation of the concept woman in P. Zagrebelnyi’s fictional discourse. The artist is analysed, on the one side, as a linguistic personality with his features of psyche, as a representative of a language group, and on the other side, as a creative personality that uniquely represents himself in fictional discourse, creative dimensions with his features of communicative behaviour. The analysis of the concept is performed regarding the achievements of psycholinguistics, gender linguistics, lingua-cultural studies, pragmatically-oriented communicative linguistics, on the basis of anthropocentric and discoursecentric paradigms, that made it possible to identify senses in the structure of the concept and clarify the mechanism of their occurrence. Attention is paid to the writer’s fictional discourse, which is analysed with regard to principles of discourse-a...