The present thesis establishes the protectability of DJ Sets as works of art by Peruvian Author’s Rights Law, since in practice its creation implies the use of musical phonograms of third-party owners other than the person of the DJ, without the latter having express and written authorization from the formers. In this sense, and in light of constructing a solid theoretical basis, it begins by analyzing foreign doctrine, legislation and jurisprudence on subject matters closely linked to DJ Sets, such as sampling, both from the point of view of Anglo-Saxon Copyright Law and Author’s Rights Law of continental Europe. Subsequently, the DJ Set is subsumed in accordance to Peruvian author’s rights legislation as a compilation, since in the research process of this investigation, a satisfactory fieldwork was carried out consisting of requesting the registration of a DJ Set crafted by the ...

El autor explica el marco legal aplicable a un disc jockey, respecto a la creación intelectual que realiza. Así, afirma que debe ser considerado como titular de los derechos patrimoniales y morales concedidos por el Derecho de Autor. En ese sentido, asevera que un DJ set es una obra protegible, siempre y cuando cumpla con el requisito de originalidad.