The project takes as its starting point a cultural manifestation of which no records are preserved: the jaranas in the colonial sugar plantation Santa Bárbara located in San Luis de Cañete. Thinking of a jarana in a sugar plantation has an ethnic, historical and cultural charge if we look at the history of sugar in relation to slavery, as well as afroperuvian musical expression as a response to a stripped-down origin. In this work the musical counterpoint is extrapolated to other aspects present in the meeting of people in a jarana such as ethnic, discursive, spatial, among others. Drawing on Cañete’s public music archives, such as recordings or interviews, and generating new sounds allows me to create a space of other forms of narration, listening and encounter, where music, dialogue, bodies and history coexist. The proposal is to resume what could be a jarana in the aforementioned...