“The Origin of the Work Of Art: an Oasis Amid the Heideggerian Thought?” In 1935 Martin Heidegger surprisingly delivered a lecture in Freiburg on the origin of the work of art. Why sis Heidegger give such a lecture? Why did s “art” appear as a decisive question that year? We only find brief mentions on this subject in his works prior to the essay on art. How to fit this apparent “oasis” in Heideggerian thought? Following the steps of William Richardson, Martin Heidegger’s work is usually divided into two great moments separated by what is known as the turn (Kehre). Where should we approach the work from? Should we understand his ideas from what he has worked on in Contributions to philosophy? Or should we enter “The origin of the work of art” from the works of the first Heidegger? These questions, of a methodological-interpretative nature, are those that we propose to a...

“‘The Spectre of Marburg’ wanders around the Operative Aesthetics. Luis Juan Guerrero, ‘Evolutive’ Reader of Heidegger”. This paper aims to analyse the reading of Martin Heidegger’s thought offered by Luis Juan Guerrero in his Operative Aesthetics. I claim that “The Origin of the Work of Art” plays a central role in the work of the Argentinian philosopher. However, this does not mean that Guerrero is not an original author or that he is a mere commentator of the German philosopher. On the contrary: the Argentinian philosopher offers a productive reading of Heidegger which allows him to build his own and authentic philosophy. By focusing on Heidegger’s essay on art and on the first volume of the Operative Aesthetics, this paper analyses three essential issues: the concept of tool, the world-earth relationship, and the bond between history and truth.

En 1935 Martin Heidegger da sorpresivamente una conferencia en Friburgo sobre el origen de la obra de arte. ¿Por qué Heidegger, repentinamente, brinda una conferencia sobre el arte? ¿Por qué aparece en este año “el arte” como una cuestión decisiva? Solamente encontramos breves menciones sobre esta temática en sus trabajos previos al ensayo sobre el arte. ¿Cómo encuadrar este aparente “oasis” en el pensamiento heideggeriano? A partir del académico estadounidense William Richardson la obra de Martin Heidegger se suele dividir en dos grandes momentos separados por lo que es conocido por el viraje (Kehre). ¿Desde dónde deberíamos abordar la obra? ¿deberíamos entender sus planteos desde lo trabajado en Aportes a la filosofía? ¿o deberíamos ingresar a “El origen de la obra de arte” desde las obras del primer Heidegger? Estos interrogantes, de carácter metodológi...

“The Spectre of Marburg’ wanders around the Operative Aesthetics. Luis Juan Guerrero, ‘Evolutive’ Reader of Heidegger”. This paper aims to analyse the reading of Martin Heidegger’s thought offered by Luis Juan Guerrero in his Operative Aesthetics. I claim that “The Origin of the Work of Art” plays a central role in the work of the Argentinian philosopher. However, this does not mean that Guerrero is not an original author or that he is a mere commentator of the German philosopher. On the contrary: the Argentinian philosopher offers a productive reading of Heidegger which allows him to build his own and authentic philosophy. By focusing on Heidegger’s essay on art and on the first volume of the Operative Aesthetics, this paper analyses three essential issues: the concept of tool, the world-earth relationship, and the bond between history and truth.

“The Origin of the Work Of Art: an Oasis Amid the Heideggerian Thought?” In 1935 Martin Heidegger surprisingly delivered a lecture in Freiburg on the origin of the work of art. Why sis Heidegger give such a lecture? Why did s “art” appear as a decisive question that year? We only find brief mentions on this subject in his works prior to the essay on art. How to fit this apparent “oasis” in Heideggerian thought? Following the steps of William Richardson, Martin Heidegger’s work is usually divided into two great moments separated by what is known as the turn (Kehre). Where should we approach the work from? Should we understand his ideas from what he has worked on in Contributions to philosophy? Or should we enter “The origin of the work of art” from the works of the first Heidegger? These questions, of a methodological-interpretative nature, are those that we propose to a...

“‘The Spectre of Marburg’ wanders around the Operative Aesthetics. Luis Juan Guerrero, ‘Evolutive’ Reader of Heidegger”. This paper aims to analyse the reading of Martin Heidegger’s thought offered by Luis Juan Guerrero in his Operative Aesthetics. I claim that “The Origin of the Work of Art” plays a central role in the work of the Argentinian philosopher. However, this does not mean that Guerrero is not an original author or that he is a mere commentator of the German philosopher. On the contrary: the Argentinian philosopher offers a productive reading of Heidegger which allows him to build his own and authentic philosophy. By focusing on Heidegger’s essay on art and on the first volume of the Operative Aesthetics, this paper analyses three essential issues: the concept of tool, the world-earth relationship, and the bond between history and truth.