On September 4, 2022, the proposal for a New Constitution emanating from the Chilean Constitutional Convention was rejected and this has been explained in various ways. An interesting approach is the one that can arise from the Law and Literature approach, specifically, its category of "Law as literature". If a Magna Carta is the instrument where the most relevant legal words for a country are enshrined, it may be useful to carry out a philological examination of the words of the revolt of October 18, 2019, a fact that paved the way for the demand for a New Constitution. For this, I will resort to my own Political Journal in order to focus on the beginning of the outbreak, where with regard to the word "war", I maintain that there was an appearance of Chilean citizenship with characteristics that made possible a political interpretation of the phenomenon in key friend enemy. I will argue...

A theoretical consideration in law and literature studies, which are advancing in our continent, is what kind of literature we will analyze in this discipline. For this paper, I will make use of two studies by the writer D. H. Lawrence on the painter Paul Cézanne, which explore the forms of static representation of reality based on Kodak photography and the reproduction of clichés in art, both characteristic of moral art, against which Cézanne’s immoral art stands up, characterized by its relational dynamism and its struggle against stereotypes. The moral art can be countered in our field with Bakhtin’s notions of polyphony, associated with relational dynamism, and Luque’s hymenopterous art, linked to stereotypes. In doing so, I hope to give an account of how an immoral literature can help us illuminate the juridical problems that afflict human beings.

A theoretical consideration in law and literature studies, which are advancing in our continent, is what kind of literature we will analyze in this discipline. For this paper, I will make use of two studies by the writer D. H. Lawrence on the painter Paul Cézanne, which explore the forms of static representation of reality based on Kodak photography and the reproduction of clichés in art, both characteristic of moral art, against which Cézanne’s immoral art stands up, characterized by its relational dynamism and its struggle against stereotypes. The moral art can be countered in our field with Bakhtin’s notions of polyphony, associated with relational dynamism, and Luque’s hymenopterous art, linked to stereotypes. In doing so, I hope to give an account of how an immoral literature can help us illuminate the juridical problems that afflict human beings.