Beyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentaries
Descripción del Articulo
In this research, we use an interdisciplinary approach to analyze the narrative of Radio Ucamara in order to render visible the material and spiritual consequences of the largest oil spill of the first decade of the 2000s in Peru. To do so, I analyze two documentaries: Consuelen a mi pueblo. Cuninic...
Autor: | |
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Formato: | artículo |
Fecha de Publicación: | 2022 |
Institución: | Universidad Peruana de Ciencias Aplicadas |
Repositorio: | UPC-Institucional |
Lenguaje: | español |
OAI Identifier: | oai:repositorioacademico.upc.edu.pe:10757/659233 |
Enlace del recurso: | http://hdl.handle.net/10757/659233 |
Nivel de acceso: | acceso abierto |
Materia: | Amazon Kukama Memory Oil spills Radio Ucamara Voz memoriosa |
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dc.title.es_PE.fl_str_mv |
Beyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentaries |
dc.title.alternative.es_PE.fl_str_mv |
Mais além da ferida e do esquecimento: a voz memoriosa e sua narrativa em dois documentários da Radio Ucamara Más allá de la herida y el olvido: la voz memoriosa y su narrativa en dos documentales de Radio Ucamara |
title |
Beyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentaries |
spellingShingle |
Beyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentaries García, Andrea Cabel Amazon Kukama Memory Oil spills Radio Ucamara Voz memoriosa |
title_short |
Beyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentaries |
title_full |
Beyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentaries |
title_fullStr |
Beyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentaries |
title_full_unstemmed |
Beyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentaries |
title_sort |
Beyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentaries |
author |
García, Andrea Cabel |
author_facet |
García, Andrea Cabel |
author_role |
author |
dc.contributor.author.fl_str_mv |
García, Andrea Cabel |
dc.subject.es_PE.fl_str_mv |
Amazon Kukama Memory Oil spills Radio Ucamara Voz memoriosa |
topic |
Amazon Kukama Memory Oil spills Radio Ucamara Voz memoriosa |
description |
In this research, we use an interdisciplinary approach to analyze the narrative of Radio Ucamara in order to render visible the material and spiritual consequences of the largest oil spill of the first decade of the 2000s in Peru. To do so, I analyze two documentaries: Consuelen a mi pueblo. Cuninico, dos años después (14' 37"), and Daños a la espiritualidad kukama (11' 40"). They show their forms of resistance and denunciation through what we call a voz memoriosa. This conceptual metaphor is characterized by intersecting their own social practices (songs, icaros, and stories) with official narratives (the chronology of the spill, the tallying of material damage, and extracts from trials). Thus, their way of presenting the consequences of the spill and of representing themselves in relation to them is not only cross-cultural, but also highly metaphorical. I chose to apply a qualitative approach based on ten extensive, in-depth, semi-structured telephone interviews and by instant messaging with Leonardo Tello, director of Radio Ucamara, from May 2020 to June 2021. The analysis and the theoretical concept reveal that documentaries are part of their social practices insofar as they involve community members and the non-human subjectivities with whom they relate. Thus, they, on their own terms, manage to interweave Western perspectives of linear (cause-consequence) remembrance with their polyphonic remembrance of organic aesthetics. The concept that I propose allows us to broaden Ginsburg’s use and understanding of organic aesthetics. The study also offers an analysis of the way in which those affected describe the consequences that environmental pollution brings directly upon their spirituality. |
publishDate |
2022 |
dc.date.accessioned.none.fl_str_mv |
2022-03-04T03:18:12Z |
dc.date.available.none.fl_str_mv |
2022-03-04T03:18:12Z |
dc.date.issued.fl_str_mv |
2022-01-01 |
dc.type.es_PE.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
dc.identifier.issn.none.fl_str_mv |
19005407 |
dc.identifier.doi.none.fl_str_mv |
10.7440/antipoda46.2022.05 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/10757/659233 |
dc.identifier.eissn.none.fl_str_mv |
20114273 |
dc.identifier.journal.es_PE.fl_str_mv |
Antipoda |
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2-s2.0-85124834195 |
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SCOPUS_ID:85124834195 |
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19005407 10.7440/antipoda46.2022.05 20114273 Antipoda 2-s2.0-85124834195 SCOPUS_ID:85124834195 |
url |
http://hdl.handle.net/10757/659233 |
dc.language.iso.es_PE.fl_str_mv |
spa |
language |
spa |
dc.relation.url.es_PE.fl_str_mv |
https://revistas.uniandes.edu.co/doi/10.7440/antipoda46.2022.05 |
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Attribution-NonCommercial-ShareAlike 4.0 International |
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info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by-nc-sa/4.0/ |
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Attribution-NonCommercial-ShareAlike 4.0 International http://creativecommons.org/licenses/by-nc-sa/4.0/ |
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openAccess |
dc.format.es_PE.fl_str_mv |
application/pdf |
dc.publisher.es_PE.fl_str_mv |
Universidad de los Andes, Bogota Colombia |
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reponame:UPC-Institucional instname:Universidad Peruana de Ciencias Aplicadas instacron:UPC |
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dc.source.journaltitle.none.fl_str_mv |
Antipoda |
dc.source.volume.none.fl_str_mv |
2022 |
dc.source.issue.none.fl_str_mv |
46 |
dc.source.beginpage.none.fl_str_mv |
99 |
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207da114f8edabd7ede3bfaa27286cdaGarcía, Andrea Cabel2022-03-04T03:18:12Z2022-03-04T03:18:12Z2022-01-011900540710.7440/antipoda46.2022.05http://hdl.handle.net/10757/65923320114273Antipoda2-s2.0-85124834195SCOPUS_ID:85124834195In this research, we use an interdisciplinary approach to analyze the narrative of Radio Ucamara in order to render visible the material and spiritual consequences of the largest oil spill of the first decade of the 2000s in Peru. To do so, I analyze two documentaries: Consuelen a mi pueblo. Cuninico, dos años después (14' 37"), and Daños a la espiritualidad kukama (11' 40"). They show their forms of resistance and denunciation through what we call a voz memoriosa. This conceptual metaphor is characterized by intersecting their own social practices (songs, icaros, and stories) with official narratives (the chronology of the spill, the tallying of material damage, and extracts from trials). Thus, their way of presenting the consequences of the spill and of representing themselves in relation to them is not only cross-cultural, but also highly metaphorical. I chose to apply a qualitative approach based on ten extensive, in-depth, semi-structured telephone interviews and by instant messaging with Leonardo Tello, director of Radio Ucamara, from May 2020 to June 2021. The analysis and the theoretical concept reveal that documentaries are part of their social practices insofar as they involve community members and the non-human subjectivities with whom they relate. Thus, they, on their own terms, manage to interweave Western perspectives of linear (cause-consequence) remembrance with their polyphonic remembrance of organic aesthetics. The concept that I propose allows us to broaden Ginsburg’s use and understanding of organic aesthetics. The study also offers an analysis of the way in which those affected describe the consequences that environmental pollution brings directly upon their spirituality.La presente investigación analiza desde un enfoque interdisciplinario la narrativa de Radio Ucamara para visibilizar las consecuencias materiales y espirituales del derrame de crudo de petróleo más grande de la primera década de los 2000 en el Perú. Para ello, analizo dos documentales: Consuelen a mi pueblo. Cuninico, dos años después (14' 37") y Daños a la espiritualidad kukama (11' 40"). Estos muestran sus formas de resistir y denunciar a partir de lo que llamamos una voz memoriosa. Esta metáfora conceptual se caracteriza por intersecar prácticas sociales propias (cantos, icaros e historias) con narrativas oficiales (la cronología del derrame, la contabilización de los daños materiales, extractos de juicios). De ese modo, su forma de presentar las consecuencias del derrame y de representarse frente a ellas no solo es intercultural, sino que es altamente metafórica. Se optó por aplicar un enfoque cualitativo sostenido en diez entrevistas extensas, a profundidad y semiestructuradas vía telefónica y a través de mensajería instantánea con Leonardo Tello, director de Radio Ucamara, desde mayo del año 2020 hasta junio de 2021. Los análisis y concepto teórico hechos permiten entender que los documentales forman parte de las prácticas sociales del territorio en tanto envuelven a los miembros de la comunidad y a las subjetividades no humanas con quienes se relacionan. Así las cosas, ellos, desde sus propios términos, logran entramar las perspectivas occidentales de recuerdo lineal (causa-consecuencia), con su recuerdo polifónico de estética orgánica. El concepto propuesto permite ampliar el uso y la forma de entender la estética orgánica de Ginsburg. Asimismo, el estudio propone un análisis de la forma en la que los afectados narran las consecuencias que la contaminación ambiental trae directamente a su espiritualidad.application/pdfspaUniversidad de los Andes, Bogota Colombiahttps://revistas.uniandes.edu.co/doi/10.7440/antipoda46.2022.05Attribution-NonCommercial-ShareAlike 4.0 Internationalinfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/AmazonKukamaMemoryOil spillsRadio UcamaraVoz memoriosaBeyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentariesMais além da ferida e do esquecimento: a voz memoriosa e sua narrativa em dois documentários da Radio UcamaraMás allá de la herida y el olvido: la voz memoriosa y su narrativa en dos documentales de Radio Ucamarainfo:eu-repo/semantics/articleAntipoda20224699122reponame:UPC-Institucionalinstname:Universidad Peruana de Ciencias Aplicadasinstacron:UPC2022-03-04T03:18:13ZTHUMBNAIL10.7440antipoda46.2022.05.pdf.jpg10.7440antipoda46.2022.05.pdf.jpgGenerated Thumbnailimage/jpeg102595https://repositorioacademico.upc.edu.pe/bitstream/10757/659233/5/10.7440antipoda46.2022.05.pdf.jpg0143ba2c003bfbeb0b1b1936afb40edcMD55falseTEXT10.7440antipoda46.2022.05.pdf.txt10.7440antipoda46.2022.05.pdf.txtExtracted texttext/plain76061https://repositorioacademico.upc.edu.pe/bitstream/10757/659233/4/10.7440antipoda46.2022.05.pdf.txt76c861490271d37a6538729784fd075eMD54falseLICENSElicense.txtlicense.txttext/plain; charset=utf-81748https://repositorioacademico.upc.edu.pe/bitstream/10757/659233/3/license.txt8a4605be74aa9ea9d79846c1fba20a33MD53falseCC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-81031https://repositorioacademico.upc.edu.pe/bitstream/10757/659233/2/license_rdf934f4ca17e109e0a05eaeaba504d7ce4MD52falseORIGINAL10.7440antipoda46.2022.05.pdf10.7440antipoda46.2022.05.pdfapplication/pdf1489478https://repositorioacademico.upc.edu.pe/bitstream/10757/659233/1/10.7440antipoda46.2022.05.pdf087c108a6e4e338d9a885e628de3a6fdMD51true10757/659233oai:repositorioacademico.upc.edu.pe:10757/6592332022-03-05 08:52:17.079Repositorio académico upcupc@openrepository.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 |
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Nota importante:
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La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).