Beyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentaries

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In this research, we use an interdisciplinary approach to analyze the narrative of Radio Ucamara in order to render visible the material and spiritual consequences of the largest oil spill of the first decade of the 2000s in Peru. To do so, I analyze two documentaries: Consuelen a mi pueblo. Cuninic...

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Detalles Bibliográficos
Autor: García, Andrea Cabel
Formato: artículo
Fecha de Publicación:2022
Institución:Universidad Peruana de Ciencias Aplicadas
Repositorio:UPC-Institucional
Lenguaje:español
OAI Identifier:oai:repositorioacademico.upc.edu.pe:10757/659233
Enlace del recurso:http://hdl.handle.net/10757/659233
Nivel de acceso:acceso abierto
Materia:Amazon
Kukama
Memory
Oil spills
Radio Ucamara
Voz memoriosa
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dc.title.es_PE.fl_str_mv Beyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentaries
dc.title.alternative.es_PE.fl_str_mv Mais além da ferida e do esquecimento: a voz memoriosa e sua narrativa em dois documentários da Radio Ucamara
Más allá de la herida y el olvido: la voz memoriosa y su narrativa en dos documentales de Radio Ucamara
title Beyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentaries
spellingShingle Beyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentaries
García, Andrea Cabel
Amazon
Kukama
Memory
Oil spills
Radio Ucamara
Voz memoriosa
title_short Beyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentaries
title_full Beyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentaries
title_fullStr Beyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentaries
title_full_unstemmed Beyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentaries
title_sort Beyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentaries
author García, Andrea Cabel
author_facet García, Andrea Cabel
author_role author
dc.contributor.author.fl_str_mv García, Andrea Cabel
dc.subject.es_PE.fl_str_mv Amazon
Kukama
Memory
Oil spills
Radio Ucamara
Voz memoriosa
topic Amazon
Kukama
Memory
Oil spills
Radio Ucamara
Voz memoriosa
description In this research, we use an interdisciplinary approach to analyze the narrative of Radio Ucamara in order to render visible the material and spiritual consequences of the largest oil spill of the first decade of the 2000s in Peru. To do so, I analyze two documentaries: Consuelen a mi pueblo. Cuninico, dos años después (14' 37"), and Daños a la espiritualidad kukama (11' 40"). They show their forms of resistance and denunciation through what we call a voz memoriosa. This conceptual metaphor is characterized by intersecting their own social practices (songs, icaros, and stories) with official narratives (the chronology of the spill, the tallying of material damage, and extracts from trials). Thus, their way of presenting the consequences of the spill and of representing themselves in relation to them is not only cross-cultural, but also highly metaphorical. I chose to apply a qualitative approach based on ten extensive, in-depth, semi-structured telephone interviews and by instant messaging with Leonardo Tello, director of Radio Ucamara, from May 2020 to June 2021. The analysis and the theoretical concept reveal that documentaries are part of their social practices insofar as they involve community members and the non-human subjectivities with whom they relate. Thus, they, on their own terms, manage to interweave Western perspectives of linear (cause-consequence) remembrance with their polyphonic remembrance of organic aesthetics. The concept that I propose allows us to broaden Ginsburg’s use and understanding of organic aesthetics. The study also offers an analysis of the way in which those affected describe the consequences that environmental pollution brings directly upon their spirituality.
publishDate 2022
dc.date.accessioned.none.fl_str_mv 2022-03-04T03:18:12Z
dc.date.available.none.fl_str_mv 2022-03-04T03:18:12Z
dc.date.issued.fl_str_mv 2022-01-01
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dc.identifier.eissn.none.fl_str_mv 20114273
dc.identifier.journal.es_PE.fl_str_mv Antipoda
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dc.publisher.es_PE.fl_str_mv Universidad de los Andes, Bogota Colombia
dc.source.none.fl_str_mv reponame:UPC-Institucional
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dc.source.journaltitle.none.fl_str_mv Antipoda
dc.source.volume.none.fl_str_mv 2022
dc.source.issue.none.fl_str_mv 46
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dc.source.endpage.none.fl_str_mv 122
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spelling 207da114f8edabd7ede3bfaa27286cdaGarcía, Andrea Cabel2022-03-04T03:18:12Z2022-03-04T03:18:12Z2022-01-011900540710.7440/antipoda46.2022.05http://hdl.handle.net/10757/65923320114273Antipoda2-s2.0-85124834195SCOPUS_ID:85124834195In this research, we use an interdisciplinary approach to analyze the narrative of Radio Ucamara in order to render visible the material and spiritual consequences of the largest oil spill of the first decade of the 2000s in Peru. To do so, I analyze two documentaries: Consuelen a mi pueblo. Cuninico, dos años después (14' 37"), and Daños a la espiritualidad kukama (11' 40"). They show their forms of resistance and denunciation through what we call a voz memoriosa. This conceptual metaphor is characterized by intersecting their own social practices (songs, icaros, and stories) with official narratives (the chronology of the spill, the tallying of material damage, and extracts from trials). Thus, their way of presenting the consequences of the spill and of representing themselves in relation to them is not only cross-cultural, but also highly metaphorical. I chose to apply a qualitative approach based on ten extensive, in-depth, semi-structured telephone interviews and by instant messaging with Leonardo Tello, director of Radio Ucamara, from May 2020 to June 2021. The analysis and the theoretical concept reveal that documentaries are part of their social practices insofar as they involve community members and the non-human subjectivities with whom they relate. Thus, they, on their own terms, manage to interweave Western perspectives of linear (cause-consequence) remembrance with their polyphonic remembrance of organic aesthetics. The concept that I propose allows us to broaden Ginsburg’s use and understanding of organic aesthetics. The study also offers an analysis of the way in which those affected describe the consequences that environmental pollution brings directly upon their spirituality.La presente investigación analiza desde un enfoque interdisciplinario la narrativa de Radio Ucamara para visibilizar las consecuencias materiales y espirituales del derrame de crudo de petróleo más grande de la primera década de los 2000 en el Perú. Para ello, analizo dos documentales: Consuelen a mi pueblo. Cuninico, dos años después (14' 37") y Daños a la espiritualidad kukama (11' 40"). Estos muestran sus formas de resistir y denunciar a partir de lo que llamamos una voz memoriosa. Esta metáfora conceptual se caracteriza por intersecar prácticas sociales propias (cantos, icaros e historias) con narrativas oficiales (la cronología del derrame, la contabilización de los daños materiales, extractos de juicios). De ese modo, su forma de presentar las consecuencias del derrame y de representarse frente a ellas no solo es intercultural, sino que es altamente metafórica. Se optó por aplicar un enfoque cualitativo sostenido en diez entrevistas extensas, a profundidad y semiestructuradas vía telefónica y a través de mensajería instantánea con Leonardo Tello, director de Radio Ucamara, desde mayo del año 2020 hasta junio de 2021. Los análisis y concepto teórico hechos permiten entender que los documentales forman parte de las prácticas sociales del territorio en tanto envuelven a los miembros de la comunidad y a las subjetividades no humanas con quienes se relacionan. Así las cosas, ellos, desde sus propios términos, logran entramar las perspectivas occidentales de recuerdo lineal (causa-consecuencia), con su recuerdo polifónico de estética orgánica. El concepto propuesto permite ampliar el uso y la forma de entender la estética orgánica de Ginsburg. Asimismo, el estudio propone un análisis de la forma en la que los afectados narran las consecuencias que la contaminación ambiental trae directamente a su espiritualidad.application/pdfspaUniversidad de los Andes, Bogota Colombiahttps://revistas.uniandes.edu.co/doi/10.7440/antipoda46.2022.05Attribution-NonCommercial-ShareAlike 4.0 Internationalinfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/AmazonKukamaMemoryOil spillsRadio UcamaraVoz memoriosaBeyond the wound and oblivion: the voz memoriosa and its narrative in two Radio Ucamara documentariesMais além da ferida e do esquecimento: a voz memoriosa e sua narrativa em dois documentários da Radio UcamaraMás allá de la herida y el olvido: la voz memoriosa y su narrativa en dos documentales de Radio Ucamarainfo:eu-repo/semantics/articleAntipoda20224699122reponame:UPC-Institucionalinstname:Universidad Peruana de Ciencias Aplicadasinstacron:UPC2022-03-04T03:18:13ZTHUMBNAIL10.7440antipoda46.2022.05.pdf.jpg10.7440antipoda46.2022.05.pdf.jpgGenerated Thumbnailimage/jpeg102595https://repositorioacademico.upc.edu.pe/bitstream/10757/659233/5/10.7440antipoda46.2022.05.pdf.jpg0143ba2c003bfbeb0b1b1936afb40edcMD55falseTEXT10.7440antipoda46.2022.05.pdf.txt10.7440antipoda46.2022.05.pdf.txtExtracted texttext/plain76061https://repositorioacademico.upc.edu.pe/bitstream/10757/659233/4/10.7440antipoda46.2022.05.pdf.txt76c861490271d37a6538729784fd075eMD54falseLICENSElicense.txtlicense.txttext/plain; charset=utf-81748https://repositorioacademico.upc.edu.pe/bitstream/10757/659233/3/license.txt8a4605be74aa9ea9d79846c1fba20a33MD53falseCC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-81031https://repositorioacademico.upc.edu.pe/bitstream/10757/659233/2/license_rdf934f4ca17e109e0a05eaeaba504d7ce4MD52falseORIGINAL10.7440antipoda46.2022.05.pdf10.7440antipoda46.2022.05.pdfapplication/pdf1489478https://repositorioacademico.upc.edu.pe/bitstream/10757/659233/1/10.7440antipoda46.2022.05.pdf087c108a6e4e338d9a885e628de3a6fdMD51true10757/659233oai:repositorioacademico.upc.edu.pe:10757/6592332022-03-05 08:52:17.079Repositorio académico upcupc@openrepository.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