El cine del surandino peruano sobre el conflicto armado: género cinematográfico e hibridez desde los márgenes del establishment de Lima

• Autores: Torres Vitolas, Miguel Ángel, Aguirre Pérez, Fernando
• Formato: artículo
• Fecha de Publicación: 2022
• Institución: Pontificia Universidad Católica del Perú
• Repositorio: PUCP-Institucional
• Lenguaje: español
• OAI Identifier: oai:repositorio.pucp.edu.pe:20.500.14657/186227
• Enlace del recurso: https://revistas.pucp.edu.pe/index.php/conexion/article/view/25628/24144; https://doi.org/10.18800/conexion.202201.005
• Nivel de acceso: acceso abierto
• Materia: regional cinema; internal conflict; Peru; film genre; hybridity; cinema regional; conflito armado; gênero cinematográfico; hibridismo; Cine regional; Conflicto armado; Perú; Género fílmico; Hibridez; https://purl.org/pe-repo/ocde/ford#5.09.01

This article proposes a critical regard on genre confronting this notion with Peruvian South Andean Cinema on the Armed conflict. We start by questioning genre notion, understood as a necessary condition in communicational practice between producers and audience. We are more interested in understanding how this notion points to a symbolic dispute from and among multiple agents involved in the cinematographic phenomenon. Then, we identify a characteristic that differences this cinema from hegemonic limeño cinema on armed conflict: genre hybridity. We found there a symbolic operation through which this cinema differs from Lima’s cinema and build its own identities.