Contemporary Andean Aesthetics” The Human Figure in Ayacuchana Painting 2000 – 2020

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Ayacucho painting of the human figure genre has a significant development in compositional and stylistic aspects. The Felipe Guamán Poma de Ayala School of Fine Arts has played a very important role in this process of adaptation, learning and authenticity, having national and international art schoo...

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Detalles Bibliográficos
Autor: Meza Untiveros, Miguel Angel
Formato: artículo
Fecha de Publicación:2024
Institución:Universidad Católica Santo Toribio de Mogrovejo
Repositorio:Revistas - Universidad Católica Santo Toribio de Mogrovejo
Lenguaje:español
OAI Identifier:oai:revistasusat:article/1171
Enlace del recurso:https://revistas.usat.edu.pe/index.php/educare/article/view/1171
Nivel de acceso:acceso abierto
Materia:Painting, symbolism, aesthetics, tradition, custom.
Pintura, simbología, estética, tradición, costumbre.
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spelling Contemporary Andean Aesthetics” The Human Figure in Ayacuchana Painting 2000 – 2020“Estética contemporánea andina” La figura Humana en la Pintura Ayacuchana 2000 – 2020”Meza Untiveros, Miguel AngelPainting, symbolism, aesthetics, tradition, custom.Pintura, simbología, estética, tradición, costumbre.Ayacucho painting of the human figure genre has a significant development in compositional and stylistic aspects. The Felipe Guamán Poma de Ayala School of Fine Arts has played a very important role in this process of adaptation, learning and authenticity, having national and international art schools as academic models. In this way, a traditional and figurative painting is visualized, despite social, scientific and technological changes. The pictorial representation of the Andean man and woman is broad and dynamic, they are inserted within the compositions that express tradition and customs of a changing context; in this sense, the following question arises: What symbols does Ayacucho painting of the human figure genre use today? To answer this question, various works will be described and analyzed from an iconographic and iconological perspective, in this way determining the following hypothesis: Ayacucho painting of the human figure represents its traditions and customs in a symbolic way and is called "Contemporary Andean Aesthetics."La pintura ayacuchana de género figura humana tiene un desarrollo significativo en aspectos compositivos y estilísticos, la Escuela de Bellas Artes Felipe Guamán Poma de Ayala ha jugado un papel muy importante en este proceso de adaptación, aprendizaje y autenticidad, teniendo como modelos académicos a Escuelas de Arte nacionales e internacionales, de esa manera se visualiza una pintura de corte tradicional y figurativa, a pesar de los cambios sociales, científicos y tecnológicos. La representación pictórica del varón y mujer andina es amplia y dinámica, están insertadas dentro de las composiciones que expresan tradición y costumbres de un contexto cambiante; en ese sentido, surge la siguiente pregunta: ¿Qué simbologías emplea la pintura ayacuchana de genero figura humana en la actualidad? Para responder se procederá a describir y análisis diversas obras desde una condición iconográfica e iconológica, de esa manera determinar la siguiente hipótesis: La pintura ayacuchana figura humana representa sus tradiciones y costumbres de manera simbólica y se denomina “Estética contemporánea andina”.Universidad Católica Santo Toribio de Mogrovejo2024-12-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículo evaluado por pares, Investigaciones empíricas, Artículos de investigacióntext/xmlapplication/pdfhttps://revistas.usat.edu.pe/index.php/educare/article/view/117110.35383/educare.v12i2.1171EDUCARE ET COMUNICARE Revista de investigación de la Facultad de Humanidades; Vol. 12 Núm. 2 (2024): Educare et Comunicare; 52-662312-901810.35383/educare.v12i2reponame:Revistas - Universidad Católica Santo Toribio de Mogrovejoinstname:Universidad Católica Santo Toribio de Mogrovejoinstacron:USATspahttps://revistas.usat.edu.pe/index.php/educare/article/view/1171/1875https://revistas.usat.edu.pe/index.php/educare/article/view/1171/1876Derechos de autor 2024 Miguel Angel Meza Untiveroshttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:revistasusat:article/11712025-06-07T23:20:27Z
dc.title.none.fl_str_mv Contemporary Andean Aesthetics” The Human Figure in Ayacuchana Painting 2000 – 2020
“Estética contemporánea andina” La figura Humana en la Pintura Ayacuchana 2000 – 2020”
title Contemporary Andean Aesthetics” The Human Figure in Ayacuchana Painting 2000 – 2020
spellingShingle Contemporary Andean Aesthetics” The Human Figure in Ayacuchana Painting 2000 – 2020
Meza Untiveros, Miguel Angel
Painting, symbolism, aesthetics, tradition, custom.
Pintura, simbología, estética, tradición, costumbre.
title_short Contemporary Andean Aesthetics” The Human Figure in Ayacuchana Painting 2000 – 2020
title_full Contemporary Andean Aesthetics” The Human Figure in Ayacuchana Painting 2000 – 2020
title_fullStr Contemporary Andean Aesthetics” The Human Figure in Ayacuchana Painting 2000 – 2020
title_full_unstemmed Contemporary Andean Aesthetics” The Human Figure in Ayacuchana Painting 2000 – 2020
title_sort Contemporary Andean Aesthetics” The Human Figure in Ayacuchana Painting 2000 – 2020
dc.creator.none.fl_str_mv Meza Untiveros, Miguel Angel
author Meza Untiveros, Miguel Angel
author_facet Meza Untiveros, Miguel Angel
author_role author
dc.subject.none.fl_str_mv Painting, symbolism, aesthetics, tradition, custom.
Pintura, simbología, estética, tradición, costumbre.
topic Painting, symbolism, aesthetics, tradition, custom.
Pintura, simbología, estética, tradición, costumbre.
description Ayacucho painting of the human figure genre has a significant development in compositional and stylistic aspects. The Felipe Guamán Poma de Ayala School of Fine Arts has played a very important role in this process of adaptation, learning and authenticity, having national and international art schools as academic models. In this way, a traditional and figurative painting is visualized, despite social, scientific and technological changes. The pictorial representation of the Andean man and woman is broad and dynamic, they are inserted within the compositions that express tradition and customs of a changing context; in this sense, the following question arises: What symbols does Ayacucho painting of the human figure genre use today? To answer this question, various works will be described and analyzed from an iconographic and iconological perspective, in this way determining the following hypothesis: Ayacucho painting of the human figure represents its traditions and customs in a symbolic way and is called "Contemporary Andean Aesthetics."
publishDate 2024
dc.date.none.fl_str_mv 2024-12-28
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artículo evaluado por pares, Investigaciones empíricas, Artículos de investigación
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.usat.edu.pe/index.php/educare/article/view/1171
10.35383/educare.v12i2.1171
url https://revistas.usat.edu.pe/index.php/educare/article/view/1171
identifier_str_mv 10.35383/educare.v12i2.1171
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.usat.edu.pe/index.php/educare/article/view/1171/1875
https://revistas.usat.edu.pe/index.php/educare/article/view/1171/1876
dc.rights.none.fl_str_mv Derechos de autor 2024 Miguel Angel Meza Untiveros
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Derechos de autor 2024 Miguel Angel Meza Untiveros
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/xml
application/pdf
dc.publisher.none.fl_str_mv Universidad Católica Santo Toribio de Mogrovejo
publisher.none.fl_str_mv Universidad Católica Santo Toribio de Mogrovejo
dc.source.none.fl_str_mv EDUCARE ET COMUNICARE Revista de investigación de la Facultad de Humanidades; Vol. 12 Núm. 2 (2024): Educare et Comunicare; 52-66
2312-9018
10.35383/educare.v12i2
reponame:Revistas - Universidad Católica Santo Toribio de Mogrovejo
instname:Universidad Católica Santo Toribio de Mogrovejo
instacron:USAT
instname_str Universidad Católica Santo Toribio de Mogrovejo
instacron_str USAT
institution USAT
reponame_str Revistas - Universidad Católica Santo Toribio de Mogrovejo
collection Revistas - Universidad Católica Santo Toribio de Mogrovejo
repository.name.fl_str_mv
repository.mail.fl_str_mv
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Contemporary Andean Aesthetics” The Human Figure in Ayacuchana Painting 2000 – 2020
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