Literature, power and censorship in Latin America: Tongolele did not know how to dance
Descripción del Articulo
From the analysis of specialized literature, a close link between literature, history and power in Latin America can be identified. This circumstance expresses the political and historical reality of the continent. This research examines the conception of power in Tongolele no sabía bailar (2021), b...
Autor: | |
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Formato: | artículo |
Fecha de Publicación: | 2022 |
Institución: | Universidad Ricardo Palma |
Repositorio: | Revistas - Universidad Ricardo Palma |
Lenguaje: | español |
OAI Identifier: | oai:oai.revistas.urp.edu.pe:article/5244 |
Enlace del recurso: | http://revistas.urp.edu.pe/index.php/Inkarri/article/view/5244 |
Nivel de acceso: | acceso abierto |
Materia: | literature power censorship Sergio Ramírez literatura poder censura |
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Literature, power and censorship in Latin America: Tongolele did not know how to danceLiteratura, poder y censura en América Latina: Tongolele no sabía bailarMorin Flores, Alba NidialiteraturepowercensorshipSergio RamírezliteraturapodercensuraSergio RamírezFrom the analysis of specialized literature, a close link between literature, history and power in Latin America can be identified. This circumstance expresses the political and historical reality of the continent. This research examines the conception of power in Tongolele no sabía bailar (2021), by the writer Sergio Ramírez. To this end, the novel is contextualized within the Latin American tradition of political literature. The life and work of the author is studied, as well as the censorship of the book in Nicaragua. Derived from the hermeneutic analysis, the description of a primary power based on violence, coercion and force is noticed. The work highlights the difficult path of democracies in the continent in the face of men clinging to power and authoritarian forms of command.Del análisis de la literatura especializada se identifica un vínculo estrecho entre la literatura, la historia y el poder en América Latina, circunstancia que expresa la realidad política e histórica del continente. La presente investigación indaga la concepción del poder en Tongolele no sabía bailar (2021), del escritor Sergio Ramírez. Para tal fin, se contextualiza la novela dentro de la tradición latinoamericana sobre la literatura política, se estudia la vida y obra del autor y la censura que dentro de Nicaragua posee el libro. Derivado del análisis hermenéutico se advierte la descripción de un poder primario basado en la violencia, la coerción y la fuerza. La obra resalta el difícil camino de las democracias en el continente frente a los hombres aferrados al poder y las formas autoritarias de mando.Universidad Ricardo Palma, Rectorado2022-11-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmltext/xmlhttp://revistas.urp.edu.pe/index.php/Inkarri/article/view/524410.59885/iusinkarri.2022.v11n12.14Ius Inkarri; Vol. 11 Núm. 12 (2022): Julio - Diciembre; 275-2932519-72742410-593710.59885/iusinkarri.2022.v11n12reponame:Revistas - Universidad Ricardo Palmainstname:Universidad Ricardo Palmainstacron:URPspahttp://revistas.urp.edu.pe/index.php/Inkarri/article/view/5244/6934http://revistas.urp.edu.pe/index.php/Inkarri/article/view/5244/7479http://revistas.urp.edu.pe/index.php/Inkarri/article/view/5244/6985Derechos de autor 2022 Alba Nidia Morin Floreshttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:oai.revistas.urp.edu.pe:article/52442023-10-14T17:44:05Z |
dc.title.none.fl_str_mv |
Literature, power and censorship in Latin America: Tongolele did not know how to dance Literatura, poder y censura en América Latina: Tongolele no sabía bailar |
title |
Literature, power and censorship in Latin America: Tongolele did not know how to dance |
spellingShingle |
Literature, power and censorship in Latin America: Tongolele did not know how to dance Morin Flores, Alba Nidia literature power censorship Sergio Ramírez literatura poder censura Sergio Ramírez |
title_short |
Literature, power and censorship in Latin America: Tongolele did not know how to dance |
title_full |
Literature, power and censorship in Latin America: Tongolele did not know how to dance |
title_fullStr |
Literature, power and censorship in Latin America: Tongolele did not know how to dance |
title_full_unstemmed |
Literature, power and censorship in Latin America: Tongolele did not know how to dance |
title_sort |
Literature, power and censorship in Latin America: Tongolele did not know how to dance |
dc.creator.none.fl_str_mv |
Morin Flores, Alba Nidia |
author |
Morin Flores, Alba Nidia |
author_facet |
Morin Flores, Alba Nidia |
author_role |
author |
dc.subject.none.fl_str_mv |
literature power censorship Sergio Ramírez literatura poder censura Sergio Ramírez |
topic |
literature power censorship Sergio Ramírez literatura poder censura Sergio Ramírez |
description |
From the analysis of specialized literature, a close link between literature, history and power in Latin America can be identified. This circumstance expresses the political and historical reality of the continent. This research examines the conception of power in Tongolele no sabía bailar (2021), by the writer Sergio Ramírez. To this end, the novel is contextualized within the Latin American tradition of political literature. The life and work of the author is studied, as well as the censorship of the book in Nicaragua. Derived from the hermeneutic analysis, the description of a primary power based on violence, coercion and force is noticed. The work highlights the difficult path of democracies in the continent in the face of men clinging to power and authoritarian forms of command. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-11-22 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://revistas.urp.edu.pe/index.php/Inkarri/article/view/5244 10.59885/iusinkarri.2022.v11n12.14 |
url |
http://revistas.urp.edu.pe/index.php/Inkarri/article/view/5244 |
identifier_str_mv |
10.59885/iusinkarri.2022.v11n12.14 |
dc.language.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
http://revistas.urp.edu.pe/index.php/Inkarri/article/view/5244/6934 http://revistas.urp.edu.pe/index.php/Inkarri/article/view/5244/7479 http://revistas.urp.edu.pe/index.php/Inkarri/article/view/5244/6985 |
dc.rights.none.fl_str_mv |
Derechos de autor 2022 Alba Nidia Morin Flores https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Derechos de autor 2022 Alba Nidia Morin Flores https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/html text/xml |
dc.publisher.none.fl_str_mv |
Universidad Ricardo Palma, Rectorado |
publisher.none.fl_str_mv |
Universidad Ricardo Palma, Rectorado |
dc.source.none.fl_str_mv |
Ius Inkarri; Vol. 11 Núm. 12 (2022): Julio - Diciembre; 275-293 2519-7274 2410-5937 10.59885/iusinkarri.2022.v11n12 reponame:Revistas - Universidad Ricardo Palma instname:Universidad Ricardo Palma instacron:URP |
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Universidad Ricardo Palma |
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URP |
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URP |
reponame_str |
Revistas - Universidad Ricardo Palma |
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Revistas - Universidad Ricardo Palma |
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1789625143587241984 |
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13.914502 |
Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).