Apuntes sobre la generación del 50 y Palma

Descripción del Articulo

The Traditions of Ricardo Palma have enjoyed great recognition since its appearance, but also they have been object of criticism and disqualification by some intellectuals and writers as Manuel Gonzales Prada, the indigenists and Sebastian Salazar Bondy. The last one, one of the most distinguished k...

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Detalles Bibliográficos
Autor: Reyes Tarazona, Roberto
Formato: artículo
Fecha de Publicación:2018
Institución:Universidad Ricardo Palma
Repositorio:Revistas - Universidad Ricardo Palma
Lenguaje:español
OAI Identifier:oai:oai.revistas.urp.edu.pe:article/1397
Enlace del recurso:http://revistas.urp.edu.pe/index.php/Aula_Palma/article/view/1397
Nivel de acceso:acceso abierto
Materia:Tradicionista
Arcadia colonial
retrógrado
escritor clásico
Traditionist
colonial Arcadia
retrograde
classic writer
Descripción
Sumario:The Traditions of Ricardo Palma have enjoyed great recognition since its appearance, but also they have been object of criticism and disqualification by some intellectuals and writers as Manuel Gonzales Prada, the indigenists and Sebastian Salazar Bondy. The last one, one of the most distinguished key figures from the Generation of ’50, in Lima the Hideous, accuses the traditionist to be the main myth creator of an idyllic Lima and the “colonial Arcadia”; of an ancient vision that should be dismissed for being retrograde. This position has widespread to the rest members of his generation. This article demonstrates that this generalization is erroneous, since most of the members of this generation consider Palma as a classic and recognize his values as creator and in his role in Peruvian literature formation.
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