Hypertextuality in Alejo Carpentier’s Concierto barroco

• Autor: Hernández Guerra, Ana María
• Formato: artículo
• Fecha de Publicación: 2022
• Institución: Universidad Nacional Mayor de San Marcos
• Repositorio: Revistas - Universidad Nacional Mayor de San Marcos
• Lenguaje: español
• OAI Identifier: oai:ojs.csi.unmsm:article/23515
• Enlace del recurso: https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/23515
• Nivel de acceso: acceso abierto
• Materia: narrativa; hipertextualidad; Concierto barroco; Carpentier; escritura; creativa; narrative; hypertextuality; creative writing

From the concepts of hypertextuality, as one of the forms of transtextuality, raised by Gérard Genette, the novel Concierto barroco by Alejo Carpentier is analyzed, from the starting texts, or hypertexts, that originated them to the arrival texts, or hypotexts; and even the melodies that also inspired through another modality of hypertextuality called transmodalization. What is new in this article is the deepening of hypertextuality, as a specific form of intertextuality. This article is derived from the research of the Master’s thesis in Creative Writing that is presented in the Postgraduate Unit of the Faculty of Letters and Human Sciences of the National University of San Marcos.