Propositions about the concept of culture and baroque ethos in the work of Bolívar Echeverría

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The original work developed by the thinker Bolívar Echeverría is understood as animated by the intention of configuring a critical theory about capitalist modernity that promotes overcoming alternatives. To do so, some of the fundamental conceptions that he proposes in his theses on the cultural fie...

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Detalles Bibliográficos
Autor: Ramaglia, Dante
Formato: artículo
Fecha de Publicación:2025
Institución:Universidad Nacional Mayor de San Marcos
Repositorio:Revistas - Universidad Nacional Mayor de San Marcos
Lenguaje:español
OAI Identifier:oai:revistasinvestigacion.unmsm.edu.pe:article/29951
Enlace del recurso:https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/29951
Nivel de acceso:acceso abierto
Materia:Bolívar Echeverría
culture
baroque ethos
modernity
capitalism
cultura
ethos barroco
modernidad
capitalismo
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spelling Propositions about the concept of culture and baroque ethos in the work of Bolívar EcheverríaProposiciones acerca del concepto de cultura y ethos barroco en la obra de Bolívar EcheverríaRamaglia, DanteRamaglia, DanteBolívar Echeverríaculturebaroque ethosmodernitycapitalismBolívar Echeverríaculturaethos barrocomodernidadcapitalismoThe original work developed by the thinker Bolívar Echeverría is understood as animated by the intention of configuring a critical theory about capitalist modernity that promotes overcoming alternatives. To do so, some of the fundamental conceptions that he proposes in his theses on the cultural field are reviewed from a Latin American perspective. In the first part of the article, the characterization that Echeverría proposes about the concept of culture is reviewed. This notion is understood from a double condition that occurs between social reproduction, which refers to the material sphere of existence, and the production of meanings as a specific capacity of the human being. From this perspective, he tries a communicational and linguistic approach to culture with its correlations with the anthropological and political. In a second part, reference is made to the notion of baroque ethos proposed by the author as a characteristic of Latin American culture. Through this dysfunctional and negative behavior that resorts to imagination, he understands that a strategy of neutralization of the capitalist contradiction is manifested through which everyday life is endured. Finally, certain allusions are pointed out to the political meaning of the author’s reflections on the alternatives to advance towards a post-capitalist society.La original obra desarrollada por el pensador Bolívar Echeverría se comprende como animada por la intención de configurar una teoría crítica acerca de la modernidad capitalista que promueva alternativas superadoras. Para ello se repasan algunas de las concepciones fundamentales que propone en sus tesis sobre el campo cultural desde una perspectiva latinoamericana. En un primer momento del artículo se repasa la caracterización que propone Echeverría acerca del concepto de cultura. Esta noción es entendida a partir de una doble condición que se da entre la reproducción social, que se refieren al ámbito material de la existencia, y la producción de significaciones como capacidad específica del ser humano. Desde esta perspectiva ensaya un enfoque comunicacional y lingüístico de la cultura con sus correlaciones con lo antropológico y político. En un segundo momento se hace referencia a la noción de ethos barroco propuesta por el autor como característica propia de la cultura latinoamericana. Mediante este comportamiento disfuncional y negativo que recurre a la imaginación entiende que se manifiesta una estrategia de neutralización de la contradicción capitalista a través del cual se sobrelleva la vida cotidiana. Por último, se señalan ciertas alusiones al significado político de las reflexiones del autor sobre las alternativas para avanzar hacia una sociedad poscapitalista.Universidad Nacional Mayor de San Marcos, Facultad de Letras y Ciencias Humanas2025-01-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/2995110.15381/wcb87s56Tesis (Lima); Vol. 18 Núm. 25 (2024): Julio - Diciembre; 633-648Tesis (Lima); Vol. 18 No. 25 (2024): July - December; 633-6482707-63341995-696710.15381/veha4y93reponame:Revistas - Universidad Nacional Mayor de San Marcosinstname:Universidad Nacional Mayor de San Marcosinstacron:UNMSMspahttps://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/29951/21997Derechos de autor 2025 Dante Ramagliahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:revistasinvestigacion.unmsm.edu.pe:article/299512025-10-17T14:53:30Z
dc.title.none.fl_str_mv Propositions about the concept of culture and baroque ethos in the work of Bolívar Echeverría
Proposiciones acerca del concepto de cultura y ethos barroco en la obra de Bolívar Echeverría
title Propositions about the concept of culture and baroque ethos in the work of Bolívar Echeverría
spellingShingle Propositions about the concept of culture and baroque ethos in the work of Bolívar Echeverría
Ramaglia, Dante
Bolívar Echeverría
culture
baroque ethos
modernity
capitalism
Bolívar Echeverría
cultura
ethos barroco
modernidad
capitalismo
title_short Propositions about the concept of culture and baroque ethos in the work of Bolívar Echeverría
title_full Propositions about the concept of culture and baroque ethos in the work of Bolívar Echeverría
title_fullStr Propositions about the concept of culture and baroque ethos in the work of Bolívar Echeverría
title_full_unstemmed Propositions about the concept of culture and baroque ethos in the work of Bolívar Echeverría
title_sort Propositions about the concept of culture and baroque ethos in the work of Bolívar Echeverría
dc.creator.none.fl_str_mv Ramaglia, Dante
Ramaglia, Dante
author Ramaglia, Dante
author_facet Ramaglia, Dante
author_role author
dc.subject.none.fl_str_mv Bolívar Echeverría
culture
baroque ethos
modernity
capitalism
Bolívar Echeverría
cultura
ethos barroco
modernidad
capitalismo
topic Bolívar Echeverría
culture
baroque ethos
modernity
capitalism
Bolívar Echeverría
cultura
ethos barroco
modernidad
capitalismo
description The original work developed by the thinker Bolívar Echeverría is understood as animated by the intention of configuring a critical theory about capitalist modernity that promotes overcoming alternatives. To do so, some of the fundamental conceptions that he proposes in his theses on the cultural field are reviewed from a Latin American perspective. In the first part of the article, the characterization that Echeverría proposes about the concept of culture is reviewed. This notion is understood from a double condition that occurs between social reproduction, which refers to the material sphere of existence, and the production of meanings as a specific capacity of the human being. From this perspective, he tries a communicational and linguistic approach to culture with its correlations with the anthropological and political. In a second part, reference is made to the notion of baroque ethos proposed by the author as a characteristic of Latin American culture. Through this dysfunctional and negative behavior that resorts to imagination, he understands that a strategy of neutralization of the capitalist contradiction is manifested through which everyday life is endured. Finally, certain allusions are pointed out to the political meaning of the author’s reflections on the alternatives to advance towards a post-capitalist society.
publishDate 2025
dc.date.none.fl_str_mv 2025-01-21
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/29951
10.15381/wcb87s56
url https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/29951
identifier_str_mv 10.15381/wcb87s56
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/29951/21997
dc.rights.none.fl_str_mv Derechos de autor 2025 Dante Ramaglia
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Derechos de autor 2025 Dante Ramaglia
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidad Nacional Mayor de San Marcos, Facultad de Letras y Ciencias Humanas
publisher.none.fl_str_mv Universidad Nacional Mayor de San Marcos, Facultad de Letras y Ciencias Humanas
dc.source.none.fl_str_mv Tesis (Lima); Vol. 18 Núm. 25 (2024): Julio - Diciembre; 633-648
Tesis (Lima); Vol. 18 No. 25 (2024): July - December; 633-648
2707-6334
1995-6967
10.15381/veha4y93
reponame:Revistas - Universidad Nacional Mayor de San Marcos
instname:Universidad Nacional Mayor de San Marcos
instacron:UNMSM
instname_str Universidad Nacional Mayor de San Marcos
instacron_str UNMSM
institution UNMSM
reponame_str Revistas - Universidad Nacional Mayor de San Marcos
collection Revistas - Universidad Nacional Mayor de San Marcos
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 13.889224
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