Youths, hip hop and Latin American cinema

Descripción del Articulo

This article provides evidence on the growing interest of Latin American cinema in hip hop. The cinematographic narration of these films portrays the lives of young people from popular classes who face situations marked by violence and deep social inequalities, through the practice of rap, break dan...

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Detalles Bibliográficos
Autor: Montoya, Wilfredo
Formato: artículo
Fecha de Publicación:2022
Institución:Universidad Nacional Mayor de San Marcos
Repositorio:Revistas - Universidad Nacional Mayor de San Marcos
Lenguaje:español
OAI Identifier:oai:revistasinvestigacion.unmsm.edu.pe:article/23514
Enlace del recurso:https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/23514
Nivel de acceso:acceso abierto
Materia:jóvenes
hip hop
cine latinoamericano
youths
Latin American cinema
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spelling Youths, hip hop and Latin American cinemaJóvenes, hip hop y cine latinoamericanoMontoya, WilfredoMontoya, Wilfredojóveneship hopcine latinoamericanoyouthship hopLatin American cinemaThis article provides evidence on the growing interest of Latin American cinema in hip hop. The cinematographic narration of these films portrays the lives of young people from popular classes who face situations marked by violence and deep social inequalities, through the practice of rap, break dance, graffiti and DJing, components of this culture. The article provides a recount of films and documentaries, made in eight Latin American countries, in the last decade. Analyzes above all three films released in 2021: This is how I grew up, by the mexican filmmaker Jos Macías; Cato, by argentine director Peta Rivero y Hornos; and The city of beasts, by colombian movie maker Henry Rincón. He argues that these provide a realistic and critical aesthetic reflection and confluent with de descolonial perspective of their respective societies, as well as a reading of a priority social sector such as popular youth, useful for understanding their current characteristics and prospects.El presente artículo aporta evidencia sobre el interés creciente del cine latinoamericano por el hip hop. La narración cinematográfica de estos filmes retrata las vidas de jóvenes de clases populares que enfrentan situaciones marcadas por la violencia y profundas desigualdades sociales, a través de la práctica del rap, break dance, grafiti y DJing, componentes de esta cultura. El artículo brinda un recuento de películas y documentales realizados en ocho países de Latinoamérica en la última década. Analiza sobre todo tres películas, estrenadas en 2021: Así crecí, del cineasta mexicano Jos Macías; Cato, del director argentino Peta Rivero y Hornos; y La ciudad de las fieras, del realizador colombiano Henry Rincón. Plantea que estas cintas aportan una reflexión estética realista, crítica y confluyente con una perspectiva descolonial de sus respectivas sociedades, junto a una lectura de un sector social prioritario como las juventudes populares, útil para comprender sus características actuales y perspectivas de futuro.Universidad Nacional Mayor de San Marcos, Facultad de Letras y Ciencias Humanas2022-06-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/xmlhttps://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/2351410.15381/tesis.v15i20.23514Tesis (Lima); Vol. 15 Núm. 20 (2022): Enero - Junio; 93-117Tesis (Lima); Vol. 15 No. 20 (2022): January - June; 93-1172707-63341995-696710.15381/tesis.v15i20reponame:Revistas - Universidad Nacional Mayor de San Marcosinstname:Universidad Nacional Mayor de San Marcosinstacron:UNMSMspahttps://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/23514/18581https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/23514/18658Derechos de autor 2022 Wilfredo Montoyahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:revistasinvestigacion.unmsm.edu.pe:article/235142022-10-05T16:30:05Z
dc.title.none.fl_str_mv Youths, hip hop and Latin American cinema
Jóvenes, hip hop y cine latinoamericano
title Youths, hip hop and Latin American cinema
spellingShingle Youths, hip hop and Latin American cinema
Montoya, Wilfredo
jóvenes
hip hop
cine latinoamericano
youths
hip hop
Latin American cinema
title_short Youths, hip hop and Latin American cinema
title_full Youths, hip hop and Latin American cinema
title_fullStr Youths, hip hop and Latin American cinema
title_full_unstemmed Youths, hip hop and Latin American cinema
title_sort Youths, hip hop and Latin American cinema
dc.creator.none.fl_str_mv Montoya, Wilfredo
Montoya, Wilfredo
author Montoya, Wilfredo
author_facet Montoya, Wilfredo
author_role author
dc.subject.none.fl_str_mv jóvenes
hip hop
cine latinoamericano
youths
hip hop
Latin American cinema
topic jóvenes
hip hop
cine latinoamericano
youths
hip hop
Latin American cinema
description This article provides evidence on the growing interest of Latin American cinema in hip hop. The cinematographic narration of these films portrays the lives of young people from popular classes who face situations marked by violence and deep social inequalities, through the practice of rap, break dance, graffiti and DJing, components of this culture. The article provides a recount of films and documentaries, made in eight Latin American countries, in the last decade. Analyzes above all three films released in 2021: This is how I grew up, by the mexican filmmaker Jos Macías; Cato, by argentine director Peta Rivero y Hornos; and The city of beasts, by colombian movie maker Henry Rincón. He argues that these provide a realistic and critical aesthetic reflection and confluent with de descolonial perspective of their respective societies, as well as a reading of a priority social sector such as popular youth, useful for understanding their current characteristics and prospects.
publishDate 2022
dc.date.none.fl_str_mv 2022-06-30
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/23514
10.15381/tesis.v15i20.23514
url https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/23514
identifier_str_mv 10.15381/tesis.v15i20.23514
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/23514/18581
https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/23514/18658
dc.rights.none.fl_str_mv Derechos de autor 2022 Wilfredo Montoya
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Derechos de autor 2022 Wilfredo Montoya
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/xml
dc.publisher.none.fl_str_mv Universidad Nacional Mayor de San Marcos, Facultad de Letras y Ciencias Humanas
publisher.none.fl_str_mv Universidad Nacional Mayor de San Marcos, Facultad de Letras y Ciencias Humanas
dc.source.none.fl_str_mv Tesis (Lima); Vol. 15 Núm. 20 (2022): Enero - Junio; 93-117
Tesis (Lima); Vol. 15 No. 20 (2022): January - June; 93-117
2707-6334
1995-6967
10.15381/tesis.v15i20
reponame:Revistas - Universidad Nacional Mayor de San Marcos
instname:Universidad Nacional Mayor de San Marcos
instacron:UNMSM
instname_str Universidad Nacional Mayor de San Marcos
instacron_str UNMSM
institution UNMSM
reponame_str Revistas - Universidad Nacional Mayor de San Marcos
collection Revistas - Universidad Nacional Mayor de San Marcos
repository.name.fl_str_mv
repository.mail.fl_str_mv
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