National Theater: From the public institutions to the networking articulation (1971-2022)

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This paper explores the relevance of the National Theater Companies by delving into their history and their circumstances. This research was developed from book review, documents, academic articles, journalistic articles and interviews with people directly involved with some of the initiatives. The...

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Detalles Bibliográficos
Autor: Moreno Baca, María Carina
Formato: artículo
Fecha de Publicación:2022
Institución:Universidad Nacional Mayor de San Marcos
Repositorio:Revistas - Universidad Nacional Mayor de San Marcos
Lenguaje:español
OAI Identifier:oai:ojs.csi.unmsm:article/25228
Enlace del recurso:https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/25228
Nivel de acceso:acceso abierto
Materia:gestión cultural
compañía nacional
Teatro Nacional
políticas culturales
Ministerio de Cultura
cultural management
National company
the National Theater
cultural politics
culture Ministry
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network_name_str Revistas - Universidad Nacional Mayor de San Marcos
repository_id_str
spelling National Theater: From the public institutions to the networking articulation (1971-2022)Teatro Nacional: de la institucionalidad pública a las redes de articulación (1971-2022)Moreno Baca, María CarinaMoreno Baca, María Carinagestión culturalcompañía nacionalTeatro Nacionalpolíticas culturalesMinisterio de Culturacultural managementNational companythe National Theatercultural politicsculture MinistryThis paper explores the relevance of the National Theater Companies by delving into their history and their circumstances. This research was developed from book review, documents, academic articles, journalistic articles and interviews with people directly involved with some of the initiatives. The resulting data identified four major hits: the begining in 1946 with Santiago Ontañón, the step with INSAD and La Cabaña with Armando Robles Godoy and the Teatro Ambulante in 1957, the Teatro Nacional Popular with Alonso Alegría in 1971 and the Teatro Nacional in 1995 with Ruth Escudero. At the end of the revision it was concluded that, at this point in time, it is no longer pertinent nor necessary participation of the national company as it would compete directly with the local productions.Este texto explora en la historia de las compañías nacional de teatro y sus contextos para buscar considerar su pertinencia en este momento. La investigación se desarrolló a partir de la revisión de libros, documentos, artículos académicos, artículos periodísticos y entrevistas con los responsables de algunas de las iniciativas. El resultado fue la identificación de cuatro hitos: el nacimiento en 1946 con Santiago Ontañón, el paso a la INSAD y a La Cabaña con Armando Robles Godoy y el Teatro Ambulante en 1957, el Teatro Nacional Popular con Alonso Alegría en 1971 y el Teatro Nacional en 1995 con Ruth Escudero. Tras la revisión, se concluyó que, en este momento, no es pertinente ni necesaria una compañía nacional, ya que competiría con la producción local.Universidad Nacional Mayor de San Marcos, Facultad de Letras y Ciencias Humanas2022-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/2522810.15381/tesis.v15i21.25228Tesis (Lima); Vol. 15 No. 21 (2022): July - December; 441-451Tesis (Lima); Vol. 15 Núm. 21 (2022): Julio - Diciembre; 441-4512707-63341995-696710.15381/tesis.v15i21reponame:Revistas - Universidad Nacional Mayor de San Marcosinstname:Universidad Nacional Mayor de San Marcosinstacron:UNMSMspahttps://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/25228/19521Derechos de autor 2023 María Carina Moreno Bacahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:ojs.csi.unmsm:article/252282023-10-23T17:22:17Z
dc.title.none.fl_str_mv National Theater: From the public institutions to the networking articulation (1971-2022)
Teatro Nacional: de la institucionalidad pública a las redes de articulación (1971-2022)
title National Theater: From the public institutions to the networking articulation (1971-2022)
spellingShingle National Theater: From the public institutions to the networking articulation (1971-2022)
Moreno Baca, María Carina
gestión cultural
compañía nacional
Teatro Nacional
políticas culturales
Ministerio de Cultura
cultural management
National company
the National Theater
cultural politics
culture Ministry
title_short National Theater: From the public institutions to the networking articulation (1971-2022)
title_full National Theater: From the public institutions to the networking articulation (1971-2022)
title_fullStr National Theater: From the public institutions to the networking articulation (1971-2022)
title_full_unstemmed National Theater: From the public institutions to the networking articulation (1971-2022)
title_sort National Theater: From the public institutions to the networking articulation (1971-2022)
dc.creator.none.fl_str_mv Moreno Baca, María Carina
Moreno Baca, María Carina
author Moreno Baca, María Carina
author_facet Moreno Baca, María Carina
author_role author
dc.subject.none.fl_str_mv gestión cultural
compañía nacional
Teatro Nacional
políticas culturales
Ministerio de Cultura
cultural management
National company
the National Theater
cultural politics
culture Ministry
topic gestión cultural
compañía nacional
Teatro Nacional
políticas culturales
Ministerio de Cultura
cultural management
National company
the National Theater
cultural politics
culture Ministry
description This paper explores the relevance of the National Theater Companies by delving into their history and their circumstances. This research was developed from book review, documents, academic articles, journalistic articles and interviews with people directly involved with some of the initiatives. The resulting data identified four major hits: the begining in 1946 with Santiago Ontañón, the step with INSAD and La Cabaña with Armando Robles Godoy and the Teatro Ambulante in 1957, the Teatro Nacional Popular with Alonso Alegría in 1971 and the Teatro Nacional in 1995 with Ruth Escudero. At the end of the revision it was concluded that, at this point in time, it is no longer pertinent nor necessary participation of the national company as it would compete directly with the local productions.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-30
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/25228
10.15381/tesis.v15i21.25228
url https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/25228
identifier_str_mv 10.15381/tesis.v15i21.25228
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/25228/19521
dc.rights.none.fl_str_mv Derechos de autor 2023 María Carina Moreno Baca
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Derechos de autor 2023 María Carina Moreno Baca
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidad Nacional Mayor de San Marcos, Facultad de Letras y Ciencias Humanas
publisher.none.fl_str_mv Universidad Nacional Mayor de San Marcos, Facultad de Letras y Ciencias Humanas
dc.source.none.fl_str_mv Tesis (Lima); Vol. 15 No. 21 (2022): July - December; 441-451
Tesis (Lima); Vol. 15 Núm. 21 (2022): Julio - Diciembre; 441-451
2707-6334
1995-6967
10.15381/tesis.v15i21
reponame:Revistas - Universidad Nacional Mayor de San Marcos
instname:Universidad Nacional Mayor de San Marcos
instacron:UNMSM
instname_str Universidad Nacional Mayor de San Marcos
instacron_str UNMSM
institution UNMSM
reponame_str Revistas - Universidad Nacional Mayor de San Marcos
collection Revistas - Universidad Nacional Mayor de San Marcos
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 13.92687
National Theater: From the public institutions to the networking articulation (1971-2022)
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La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).

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