Qauranparqui of Susapaya: Tacna preceramic rock art

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The town of Susapaya presents excellent geographical environments, with plant and animal resources, which seven thousand years ago served as a habitable setting in the development of hunter-gatherers. The natural resources that support these scenarios were apparently also predictable as potential hu...

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Detalles Bibliográficos
Autor: Umire Alvarez, Adán
Formato: artículo
Fecha de Publicación:2023
Institución:Universidad Nacional Mayor de San Marcos
Repositorio:Revistas - Universidad Nacional Mayor de San Marcos
Lenguaje:español
OAI Identifier:oai:ojs.csi.unmsm:article/22955
Enlace del recurso:https://revistasinvestigacion.unmsm.edu.pe/index.php/sociales/article/view/22955
Nivel de acceso:acceso abierto
Materia:preceramic cave art
hunters
gatherers
camelid figures
arte rupestre precerámico
cazadores
recolectores
figuras de camélidos
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spelling Qauranparqui of Susapaya: Tacna preceramic rock artQauranparqui de Susapaya: Arte rupestre precerámico de TacnaUmire Alvarez, AdánUmire Alvarez, Adánpreceramic cave art huntersgathererscamelid figuresarte rupestre precerámicocazadoresrecolectoresfiguras de camélidosThe town of Susapaya presents excellent geographical environments, with plant and animal resources, which seven thousand years ago served as a habitable setting in the development of hunter-gatherers. The natural resources that support these scenarios were apparently also predictable as potential hunting areas, at the moment the area is a nature reserve dedicated to the protection of the guanaco (Lama guanicoe), considered one of the possible eligible resources in pre-ceramic hunting activities, perhaps preferred as higher visibility prey. The scene painted in Qauranparqui, with the figures of camelids, indicates the importance of the area. In addition, in a simple relationship in this area between the extensive presence of camelids (guanaco) and the figures represented on the rocky walls of Qauranparqui, it is proposed that they correspond precisely to the guanaco variety.La localidad de Susapaya presenta excelentes ambientes geográficos, con recursos vegetales y animales, que hace siete mil años atrás sirvieron como un escenario habitable en el desenvolvimiento de cazadores recolectores. Los recursos naturales que sustentan estos escenarios aparentemente también fueron predecibles como potenciales zonas de caza, al momento el área es una reserva natural dedicado a la protección del guanaco (Lama guanicoe), considerado como uno de los posibles recursos elegibles en las actividades cinegéticas del precerámico, quizás preferidos como presas de mayor visibilidad. La escena pintada en Qauranparqui, con las figuras de camélidos condice la importancia del área; además, en una relación simple en esta zona entre la amplia presencia de camélidos (guanaco) y las figuras representadas en las paredes rocosas de Qauranparqui, se propone que las mismas correspondan precisamente a la variedad del guanaco.Universidad Nacional Mayor de San Marcos, Facultad de Ciencias Sociales2023-05-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistasinvestigacion.unmsm.edu.pe/index.php/sociales/article/view/2295510.15381/is.n48.22955Investigaciones Sociales; No. 48 (2023); 95-107Investigaciones Sociales; Núm. 48 (2023); 95-1071818-47581560-9073reponame:Revistas - Universidad Nacional Mayor de San Marcosinstname:Universidad Nacional Mayor de San Marcosinstacron:UNMSMspahttps://revistasinvestigacion.unmsm.edu.pe/index.php/sociales/article/view/22955/19569Derechos de autor 2023 Adán Umire Alvarezhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:ojs.csi.unmsm:article/229552023-05-18T13:38:20Z
dc.title.none.fl_str_mv Qauranparqui of Susapaya: Tacna preceramic rock art
Qauranparqui de Susapaya: Arte rupestre precerámico de Tacna
title Qauranparqui of Susapaya: Tacna preceramic rock art
spellingShingle Qauranparqui of Susapaya: Tacna preceramic rock art
Umire Alvarez, Adán
preceramic cave art
hunters
gatherers
camelid figures
arte rupestre precerámico
cazadores
recolectores
figuras de camélidos
title_short Qauranparqui of Susapaya: Tacna preceramic rock art
title_full Qauranparqui of Susapaya: Tacna preceramic rock art
title_fullStr Qauranparqui of Susapaya: Tacna preceramic rock art
title_full_unstemmed Qauranparqui of Susapaya: Tacna preceramic rock art
title_sort Qauranparqui of Susapaya: Tacna preceramic rock art
dc.creator.none.fl_str_mv Umire Alvarez, Adán
Umire Alvarez, Adán
author Umire Alvarez, Adán
author_facet Umire Alvarez, Adán
author_role author
dc.subject.none.fl_str_mv preceramic cave art
hunters
gatherers
camelid figures
arte rupestre precerámico
cazadores
recolectores
figuras de camélidos
topic preceramic cave art
hunters
gatherers
camelid figures
arte rupestre precerámico
cazadores
recolectores
figuras de camélidos
description The town of Susapaya presents excellent geographical environments, with plant and animal resources, which seven thousand years ago served as a habitable setting in the development of hunter-gatherers. The natural resources that support these scenarios were apparently also predictable as potential hunting areas, at the moment the area is a nature reserve dedicated to the protection of the guanaco (Lama guanicoe), considered one of the possible eligible resources in pre-ceramic hunting activities, perhaps preferred as higher visibility prey. The scene painted in Qauranparqui, with the figures of camelids, indicates the importance of the area. In addition, in a simple relationship in this area between the extensive presence of camelids (guanaco) and the figures represented on the rocky walls of Qauranparqui, it is proposed that they correspond precisely to the guanaco variety.
publishDate 2023
dc.date.none.fl_str_mv 2023-05-18
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistasinvestigacion.unmsm.edu.pe/index.php/sociales/article/view/22955
10.15381/is.n48.22955
url https://revistasinvestigacion.unmsm.edu.pe/index.php/sociales/article/view/22955
identifier_str_mv 10.15381/is.n48.22955
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistasinvestigacion.unmsm.edu.pe/index.php/sociales/article/view/22955/19569
dc.rights.none.fl_str_mv Derechos de autor 2023 Adán Umire Alvarez
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Derechos de autor 2023 Adán Umire Alvarez
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidad Nacional Mayor de San Marcos, Facultad de Ciencias Sociales
publisher.none.fl_str_mv Universidad Nacional Mayor de San Marcos, Facultad de Ciencias Sociales
dc.source.none.fl_str_mv Investigaciones Sociales; No. 48 (2023); 95-107
Investigaciones Sociales; Núm. 48 (2023); 95-107
1818-4758
1560-9073
reponame:Revistas - Universidad Nacional Mayor de San Marcos
instname:Universidad Nacional Mayor de San Marcos
instacron:UNMSM
instname_str Universidad Nacional Mayor de San Marcos
instacron_str UNMSM
institution UNMSM
reponame_str Revistas - Universidad Nacional Mayor de San Marcos
collection Revistas - Universidad Nacional Mayor de San Marcos
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 13.959956
Qauranparqui of Susapaya: Tacna preceramic rock art
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