Antígona González: The never-ending construction of collective memory
Descripción del Articulo
Antígona González is a theatrical work or a dramatic poem made up of a collection of texts. The book functions as a collective memory that is constantly created and re-created. The freedom in which the theatrical scenes are altered (in modern dance and theatre) can be interpreted as if they were mem...
| Autor: | |
|---|---|
| Formato: | artículo |
| Fecha de Publicación: | 2022 |
| Institución: | Universidad Nacional Mayor de San Marcos |
| Repositorio: | Revistas - Universidad Nacional Mayor de San Marcos |
| Lenguaje: | español |
| OAI Identifier: | oai:ojs.csi.unmsm:article/24435 |
| Enlace del recurso: | https://revistasinvestigacion.unmsm.edu.pe/index.php/revistaLetras/article/view/24435 |
| Nivel de acceso: | acceso abierto |
| Materia: | Fantasma Sara Uribe Antígona González Pastiche Representación Desaparecidos México Ghost Antigone González Representation Missing Mexico |
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Antígona González: The never-ending construction of collective memoryAntígona González: la perpetua construcción de la memoria colectivaWolfenzon Niego, CarolynFantasmaSara UribeAntígona GonzálezPasticheRepresentaciónDesaparecidosMéxicoGhostSara UribeAntigone GonzálezPasticheRepresentationMissingMexicoAntígona González is a theatrical work or a dramatic poem made up of a collection of texts. The book functions as a collective memory that is constantly created and re-created. The freedom in which the theatrical scenes are altered (in modern dance and theatre) can be interpreted as if they were memories in perpetual construction. The work is written as a pastiche —an accumulation of texts— that include testimonies of a diverse population affected by violence, as well as news stories and online blog posts. Each of these items add their own snippets to this innovative theatrical work that continues to compose itself and recompose itself as if it were a living collage. Antígona González is a unique work because of the way in which it constructs a collective memory through the constant updates and remediations which, in turn, incorporate the voices of those who have been silenced. In turn, it demands the action of the reader or the spectator. Its objective is to empower and embolden the viewer to rise up and make it such that the killings and the disappearances of Mexicans are never forgotten.Antígona González es una obra de teatro o poema dramático compuesta por un conjunto de textos. El libro funciona como una memoria colectiva que es creada y recreada constantemente. La libertad de adaptación de sus puestas en escena (en danza moderna y teatro) puede interpretarse en sí misma como lazos de memoria en perpetua construcción. La obra está escrita como un pastiche —una acumulación de textos— que incluyen los testimonios de diversas personas afectadas por la violencia, noticias publicadas en diarios y blogs de internet. Todos suman retazos a esta innovadora obra de teatro que se va componiendo y recomponiendo como si fuera un collage vivo. Antígona González es una obra distinta por cómo construye la memoria colectiva a través de reactualizaciones y mediaciones que incorporan las voces de los silenciados e invocan a la acción del lector o espectador. Su objetivo es empoderar al ciudadano de a pie y hacer que la matanza y desaparición de personas en México no se olvide.Universidad Nacional Mayor de San Marcos, Facultad de Letras y Ciencias Humanas2022-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/xmlhttps://revistasinvestigacion.unmsm.edu.pe/index.php/revistaLetras/article/view/2443510.30920/letras.93.138.2Letras (Lima); Vol. 93 No. 138 (2022): July - December; 16-32Letras (Lima); Vol. 93 Núm. 138 (2022): Julio - Diciembre; 16-322071-50720378-487810.30920/letras.93.138reponame:Revistas - Universidad Nacional Mayor de San Marcosinstname:Universidad Nacional Mayor de San Marcosinstacron:UNMSMspahttps://revistasinvestigacion.unmsm.edu.pe/index.php/revistaLetras/article/view/24435/19033https://revistasinvestigacion.unmsm.edu.pe/index.php/revistaLetras/article/view/24435/19080Derechos de autor 2022 Carolyn Wolfenzon Niegohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:ojs.csi.unmsm:article/244352023-10-11T10:57:42Z |
| dc.title.none.fl_str_mv |
Antígona González: The never-ending construction of collective memory Antígona González: la perpetua construcción de la memoria colectiva |
| title |
Antígona González: The never-ending construction of collective memory |
| spellingShingle |
Antígona González: The never-ending construction of collective memory Wolfenzon Niego, Carolyn Fantasma Sara Uribe Antígona González Pastiche Representación Desaparecidos México Ghost Sara Uribe Antigone González Pastiche Representation Missing Mexico |
| title_short |
Antígona González: The never-ending construction of collective memory |
| title_full |
Antígona González: The never-ending construction of collective memory |
| title_fullStr |
Antígona González: The never-ending construction of collective memory |
| title_full_unstemmed |
Antígona González: The never-ending construction of collective memory |
| title_sort |
Antígona González: The never-ending construction of collective memory |
| dc.creator.none.fl_str_mv |
Wolfenzon Niego, Carolyn |
| author |
Wolfenzon Niego, Carolyn |
| author_facet |
Wolfenzon Niego, Carolyn |
| author_role |
author |
| dc.subject.none.fl_str_mv |
Fantasma Sara Uribe Antígona González Pastiche Representación Desaparecidos México Ghost Sara Uribe Antigone González Pastiche Representation Missing Mexico |
| topic |
Fantasma Sara Uribe Antígona González Pastiche Representación Desaparecidos México Ghost Sara Uribe Antigone González Pastiche Representation Missing Mexico |
| description |
Antígona González is a theatrical work or a dramatic poem made up of a collection of texts. The book functions as a collective memory that is constantly created and re-created. The freedom in which the theatrical scenes are altered (in modern dance and theatre) can be interpreted as if they were memories in perpetual construction. The work is written as a pastiche —an accumulation of texts— that include testimonies of a diverse population affected by violence, as well as news stories and online blog posts. Each of these items add their own snippets to this innovative theatrical work that continues to compose itself and recompose itself as if it were a living collage. Antígona González is a unique work because of the way in which it constructs a collective memory through the constant updates and remediations which, in turn, incorporate the voices of those who have been silenced. In turn, it demands the action of the reader or the spectator. Its objective is to empower and embolden the viewer to rise up and make it such that the killings and the disappearances of Mexicans are never forgotten. |
| publishDate |
2022 |
| dc.date.none.fl_str_mv |
2022-12-22 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| format |
article |
| status_str |
publishedVersion |
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https://revistasinvestigacion.unmsm.edu.pe/index.php/revistaLetras/article/view/24435 10.30920/letras.93.138.2 |
| url |
https://revistasinvestigacion.unmsm.edu.pe/index.php/revistaLetras/article/view/24435 |
| identifier_str_mv |
10.30920/letras.93.138.2 |
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spa |
| language |
spa |
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https://revistasinvestigacion.unmsm.edu.pe/index.php/revistaLetras/article/view/24435/19033 https://revistasinvestigacion.unmsm.edu.pe/index.php/revistaLetras/article/view/24435/19080 |
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Derechos de autor 2022 Carolyn Wolfenzon Niego http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
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Derechos de autor 2022 Carolyn Wolfenzon Niego http://creativecommons.org/licenses/by/4.0 |
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openAccess |
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application/pdf text/xml |
| dc.publisher.none.fl_str_mv |
Universidad Nacional Mayor de San Marcos, Facultad de Letras y Ciencias Humanas |
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Universidad Nacional Mayor de San Marcos, Facultad de Letras y Ciencias Humanas |
| dc.source.none.fl_str_mv |
Letras (Lima); Vol. 93 No. 138 (2022): July - December; 16-32 Letras (Lima); Vol. 93 Núm. 138 (2022): Julio - Diciembre; 16-32 2071-5072 0378-4878 10.30920/letras.93.138 reponame:Revistas - Universidad Nacional Mayor de San Marcos instname:Universidad Nacional Mayor de San Marcos instacron:UNMSM |
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Universidad Nacional Mayor de San Marcos |
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UNMSM |
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Revistas - Universidad Nacional Mayor de San Marcos |
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Revistas - Universidad Nacional Mayor de San Marcos |
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Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
