Poor images and the ostentation of the pixel: Relations between cinema and the internet in Videophilia (and other viral syndromes)
Descripción del Articulo
This article aims at conducting a film analysis of Videophilia (and Other Viral Syndromes) (2015), by Juan Daniel F. Molero, and its narrative and esthetic relationship with the Internet, highlighting the presence of glitches and datamoshing, techniques that increase the visibility of pixels. We wil...
| Autor: | |
|---|---|
| Formato: | artículo |
| Fecha de Publicación: | 2020 |
| Institución: | Universidad de Lima |
| Repositorio: | Revistas - Universidad de Lima |
| Lenguaje: | portugués español |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/4867 |
| Enlace del recurso: | https://revistas.ulima.edu.pe/index.php/contratexto/article/view/4867 |
| Nivel de acceso: | acceso abierto |
| Materia: | cinema contemporâneo cinema e internet Hito Steyerl contemporary cinema cinema and Internet Cine contemporáneo cine e internet |
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Poor images and the ostentation of the pixel: Relations between cinema and the internet in Videophilia (and other viral syndromes)Imágenes pobres y la ostentación del pixel – Relaciones entre cine e internet en Videofilia (y otros síndromes virales)Imagens pobres e a ostentação do pixel – Relações entre cinema e internet em Videofilia (e outras síndromes virais)Ishii, Regiane Akemi Ishii, Regiane Akemi Ishii, Regiane Akemi cinema contemporâneocinema e internetHito Steyerlcontemporary cinemacinema and InternetHito SteyerlCine contemporáneocine e internetHito SteyerlThis article aims at conducting a film analysis of Videophilia (and Other Viral Syndromes) (2015), by Juan Daniel F. Molero, and its narrative and esthetic relationship with the Internet, highlighting the presence of glitches and datamoshing, techniques that increase the visibility of pixels. We will relate such use with the concept of poor images, a term coined by Hito Steyerl, in which the author presents the ambivalence of images that lose resolution to gain speed and diffusion. Recent reflections on film theory will also be mobilized through authors such as D. N. Rodowick, Francesco Casetti and Thomas Elsaesser. Thus, it will be possible to examine some of the ways with which cinema has confronted, acted on and responded to the status of contemporary images, where production and circulation become indistinguishable.Este artículo está dedicado al análisis cinematográfico de Videofilia (y otrossíndromes virales) (2015), de Juan Daniel F. Molero, y su relación narrativa y estética con la internet, destacando la presencia de glitches y datamoshing, técnicas que incrementan la visibilidad de los píxeles. Relacionaremos ese uso con el concepto de imágenes pobres, término acuñado por Hito Steyerl, en el que la autora presenta la ambivalencia de las imágenes que pierden resolución para ganar velocidad y difusión. Se sumarán asimismo discusiones recientes alrededor de la teoría cinematográfica a partir de autores como D.N. Rodowick, Francesco Casetti y Thomas Elsaesser. Así, será posible investigar algunas de las formas con las cuales el cine ha enfrentado, actuado y respondido al estatus de las imágenes contemporáneas, en el que la producción y la circulación se vuelven indistinguibles.Este artigo é dedicado à análise fílmica de Videofilia (e outras síndromes virais) (2015), de Juan Daniel F. Molero, e sua relação narrativa e estética com a internet, destacando a presença de glitches e datamoshing, técnicas que ampliam a visibilidade dos pixels. Relacionaremos tal uso com o conceito de imagens pobres, termo cunhado por Hito Steyerl, em que a autora apresenta a ambivalência de imagens que perdem resolução para ganhar velocidade e difusão. Também serão mobilizadas reflexões recentes da teoria do cinema por meio de autores como D.N. Rodowick, Francesco Casetti e Thomas Elsaesser. Assim, será possível investigar alguns modos pelos quais o cinema tem confrontado, atuado e respondido ao status das imagens contemporâneas, em que produção e circulação se tornam indistinguíveis.Universidad de Lima. Facultad de Comunicación2020-11-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionEvaluado por paresapplication/pdftext/htmlhttps://revistas.ulima.edu.pe/index.php/contratexto/article/view/486710.26439/contratexto2020.n034.4867Contratexto; No. 034 (2020): Reinventions and new poetics of cinema in the post-internet era; 81-104Contratexto; Núm. 034 (2020): Reinvenciones y nuevas poéticas del cine en la era post-internet; 81-104Contratexto; n. 034 (2020): Reinvenções e novas poéticas do cinema na era pós-internet; 81-1041993-49041025-994510.26439/contratexto2020.n034reponame:Revistas - Universidad de Limainstname:Universidad de Limainstacron:ULIMAporspahttps://revistas.ulima.edu.pe/index.php/contratexto/article/view/4867/4765https://revistas.ulima.edu.pe/index.php/contratexto/article/view/4867/4835Derechos de autor 2020 Contratextoinfo:eu-repo/semantics/openAccessoai:ojs.pkp.sfu.ca:article/48672024-05-20T16:58:42Z |
| dc.title.none.fl_str_mv |
Poor images and the ostentation of the pixel: Relations between cinema and the internet in Videophilia (and other viral syndromes) Imágenes pobres y la ostentación del pixel – Relaciones entre cine e internet en Videofilia (y otros síndromes virales) Imagens pobres e a ostentação do pixel – Relações entre cinema e internet em Videofilia (e outras síndromes virais) |
| title |
Poor images and the ostentation of the pixel: Relations between cinema and the internet in Videophilia (and other viral syndromes) |
| spellingShingle |
Poor images and the ostentation of the pixel: Relations between cinema and the internet in Videophilia (and other viral syndromes) Ishii, Regiane Akemi cinema contemporâneo cinema e internet Hito Steyerl contemporary cinema cinema and Internet Hito Steyerl Cine contemporáneo cine e internet Hito Steyerl |
| title_short |
Poor images and the ostentation of the pixel: Relations between cinema and the internet in Videophilia (and other viral syndromes) |
| title_full |
Poor images and the ostentation of the pixel: Relations between cinema and the internet in Videophilia (and other viral syndromes) |
| title_fullStr |
Poor images and the ostentation of the pixel: Relations between cinema and the internet in Videophilia (and other viral syndromes) |
| title_full_unstemmed |
Poor images and the ostentation of the pixel: Relations between cinema and the internet in Videophilia (and other viral syndromes) |
| title_sort |
Poor images and the ostentation of the pixel: Relations between cinema and the internet in Videophilia (and other viral syndromes) |
| dc.creator.none.fl_str_mv |
Ishii, Regiane Akemi Ishii, Regiane Akemi Ishii, Regiane Akemi |
| author |
Ishii, Regiane Akemi |
| author_facet |
Ishii, Regiane Akemi |
| author_role |
author |
| dc.subject.none.fl_str_mv |
cinema contemporâneo cinema e internet Hito Steyerl contemporary cinema cinema and Internet Hito Steyerl Cine contemporáneo cine e internet Hito Steyerl |
| topic |
cinema contemporâneo cinema e internet Hito Steyerl contemporary cinema cinema and Internet Hito Steyerl Cine contemporáneo cine e internet Hito Steyerl |
| description |
This article aims at conducting a film analysis of Videophilia (and Other Viral Syndromes) (2015), by Juan Daniel F. Molero, and its narrative and esthetic relationship with the Internet, highlighting the presence of glitches and datamoshing, techniques that increase the visibility of pixels. We will relate such use with the concept of poor images, a term coined by Hito Steyerl, in which the author presents the ambivalence of images that lose resolution to gain speed and diffusion. Recent reflections on film theory will also be mobilized through authors such as D. N. Rodowick, Francesco Casetti and Thomas Elsaesser. Thus, it will be possible to examine some of the ways with which cinema has confronted, acted on and responded to the status of contemporary images, where production and circulation become indistinguishable. |
| publishDate |
2020 |
| dc.date.none.fl_str_mv |
2020-11-26 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Evaluado por pares |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.none.fl_str_mv |
https://revistas.ulima.edu.pe/index.php/contratexto/article/view/4867 10.26439/contratexto2020.n034.4867 |
| url |
https://revistas.ulima.edu.pe/index.php/contratexto/article/view/4867 |
| identifier_str_mv |
10.26439/contratexto2020.n034.4867 |
| dc.language.none.fl_str_mv |
por spa |
| language |
por spa |
| dc.relation.none.fl_str_mv |
https://revistas.ulima.edu.pe/index.php/contratexto/article/view/4867/4765 https://revistas.ulima.edu.pe/index.php/contratexto/article/view/4867/4835 |
| dc.rights.none.fl_str_mv |
Derechos de autor 2020 Contratexto info:eu-repo/semantics/openAccess |
| rights_invalid_str_mv |
Derechos de autor 2020 Contratexto |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf text/html |
| dc.publisher.none.fl_str_mv |
Universidad de Lima. Facultad de Comunicación |
| publisher.none.fl_str_mv |
Universidad de Lima. Facultad de Comunicación |
| dc.source.none.fl_str_mv |
Contratexto; No. 034 (2020): Reinventions and new poetics of cinema in the post-internet era; 81-104 Contratexto; Núm. 034 (2020): Reinvenciones y nuevas poéticas del cine en la era post-internet; 81-104 Contratexto; n. 034 (2020): Reinvenções e novas poéticas do cinema na era pós-internet; 81-104 1993-4904 1025-9945 10.26439/contratexto2020.n034 reponame:Revistas - Universidad de Lima instname:Universidad de Lima instacron:ULIMA |
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Universidad de Lima |
| instacron_str |
ULIMA |
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ULIMA |
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Revistas - Universidad de Lima |
| collection |
Revistas - Universidad de Lima |
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1846157626751057920 |
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13.904524 |
Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
