The evolution of audiovisual news in the opinion of its creators: from on-demand television to vodcasting
Descripción del Articulo
While until now news programmes have been designed to be broadcast on large screen formats, especially television and computer screens, for the last decade, programmers have been making efforts to reach consumers on smaller receiver formats such as tablets and, more recently, mobile phones. Faced wi...
| Autores: | , , |
|---|---|
| Formato: | artículo |
| Fecha de Publicación: | 2021 |
| Institución: | Universidad de Piura |
| Repositorio: | Revista de Comunicación |
| Lenguaje: | español |
| OAI Identifier: | oai:revistas.udep.edu.pe:article/2396 |
| Enlace del recurso: | https://revistadecomunicacion.com/article/view/2396 |
| Nivel de acceso: | acceso abierto |
| Materia: | televisión multiplataforma vodcasting narrativas-audiovisuales TV multi platform narrative-audiovisual |
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The evolution of audiovisual news in the opinion of its creators: from on-demand television to vodcasting Evolución del informativo audiovisual en opinión de sus creadores: de la televisión a la carta al vodcasting |
| title |
The evolution of audiovisual news in the opinion of its creators: from on-demand television to vodcasting |
| spellingShingle |
The evolution of audiovisual news in the opinion of its creators: from on-demand television to vodcasting Moreno-Espinosa, Pastora televisión multiplataforma vodcasting narrativas-audiovisuales TV multi platform vodcasting narrative-audiovisual |
| title_short |
The evolution of audiovisual news in the opinion of its creators: from on-demand television to vodcasting |
| title_full |
The evolution of audiovisual news in the opinion of its creators: from on-demand television to vodcasting |
| title_fullStr |
The evolution of audiovisual news in the opinion of its creators: from on-demand television to vodcasting |
| title_full_unstemmed |
The evolution of audiovisual news in the opinion of its creators: from on-demand television to vodcasting |
| title_sort |
The evolution of audiovisual news in the opinion of its creators: from on-demand television to vodcasting |
| dc.creator.none.fl_str_mv |
Moreno-Espinosa, Pastora Román-San Miguel, Aránzazu Flores-Vivar, Jesús Miguel |
| author |
Moreno-Espinosa, Pastora |
| author_facet |
Moreno-Espinosa, Pastora Román-San Miguel, Aránzazu Flores-Vivar, Jesús Miguel |
| author_role |
author |
| author2 |
Román-San Miguel, Aránzazu Flores-Vivar, Jesús Miguel |
| author2_role |
author author |
| dc.subject.none.fl_str_mv |
televisión multiplataforma vodcasting narrativas-audiovisuales TV multi platform vodcasting narrative-audiovisual |
| topic |
televisión multiplataforma vodcasting narrativas-audiovisuales TV multi platform vodcasting narrative-audiovisual |
| description |
While until now news programmes have been designed to be broadcast on large screen formats, especially television and computer screens, for the last decade, programmers have been making efforts to reach consumers on smaller receiver formats such as tablets and, more recently, mobile phones. Faced with this reality, television news has been redefined and reoriented, even using non-professional images for broadcasting. In this article, we review the evolution of audiovisual news, from television news to on-demand television and from there, its transition to vodcasting; all of this through an updated bibliography and the vision of television news managers. We therefore use a qualitative, descriptive and exploratory methodology, applying a questionnaire as a methodological tool. Audiovisual information has always been the most consumed and has increased with situations such as the global pandemic of the COVID-19 disease. According to a report by the Barlovento Comunicación consultancy published in June 2020, audiovisual consumption in Spain grew by 22%, both through conventional television and the Internet. The management of over-information and its adaptation to new consumption environments must be a maxim for journalistic content managers. Our study concludes, among other things, that although the forms of consumption have changed considerably and television news managers believe that they must adapt to them, so far content has been adapted to these new formats, but little material is produced expressly for video podcasting or vodcasting platforms in our country. |
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2021 |
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2021-09-14 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Article evaluated by pairs Artículo evaluado por pares texto |
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https://revistadecomunicacion.com/article/view/2396 10.26441/RC20.2-2021-A16 |
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https://revistadecomunicacion.com/article/view/2396 |
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10.26441/RC20.2-2021-A16 |
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spa |
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spa |
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https://revistadecomunicacion.com/article/view/2396/2096 https://revistadecomunicacion.com/article/view/2396/2135 |
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Derechos de autor 2021 Revista de Comunicación info:eu-repo/semantics/openAccess |
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Universidad de Piura. Facultad de Comunicación |
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Universidad de Piura. Facultad de Comunicación |
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Revista de Comunicación; Vol. 20 No. 2 (2021); 303-318 Revista de Comunicación; Vol. 20 Núm. 2 (2021); 303-318 2227-1465 1684-0933 reponame:Revista de Comunicación instname:Universidad de Piura instacron:UDEP |
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The evolution of audiovisual news in the opinion of its creators: from on-demand television to vodcastingEvolución del informativo audiovisual en opinión de sus creadores: de la televisión a la carta al vodcastingMoreno-Espinosa, PastoraRomán-San Miguel, AránzazuFlores-Vivar, Jesús Migueltelevisiónmultiplataformavodcastingnarrativas-audiovisualesTVmulti platformvodcastingnarrative-audiovisualWhile until now news programmes have been designed to be broadcast on large screen formats, especially television and computer screens, for the last decade, programmers have been making efforts to reach consumers on smaller receiver formats such as tablets and, more recently, mobile phones. Faced with this reality, television news has been redefined and reoriented, even using non-professional images for broadcasting. In this article, we review the evolution of audiovisual news, from television news to on-demand television and from there, its transition to vodcasting; all of this through an updated bibliography and the vision of television news managers. We therefore use a qualitative, descriptive and exploratory methodology, applying a questionnaire as a methodological tool. Audiovisual information has always been the most consumed and has increased with situations such as the global pandemic of the COVID-19 disease. According to a report by the Barlovento Comunicación consultancy published in June 2020, audiovisual consumption in Spain grew by 22%, both through conventional television and the Internet. The management of over-information and its adaptation to new consumption environments must be a maxim for journalistic content managers. Our study concludes, among other things, that although the forms of consumption have changed considerably and television news managers believe that they must adapt to them, so far content has been adapted to these new formats, but little material is produced expressly for video podcasting or vodcasting platforms in our country.Si hasta ahora los informativos habían sido pensados para su difusión a través de grandes formatos de pantalla, sobre todo pantallas de televisión y ordenador, desde hace una década, los programadores se han esforzado por llegar a los consumidores de formatos más reducidos de receptores como las tabletas y, más recientemente, los teléfonos móviles. Ante dicha realidad, los informativos en televisión se han ido redefiniendo y reorientando, utilizando incluso imágenes no profesionales para su difusión. En este artículo, se hace un repaso de la evolución del informativo audiovisual, del informativo en televisión a la televisión a la carta y de ahí, su paso al vodcasting; todo ello a través de una bibliografía actualizada y la visión de los directivos de informativos en televisión. Hacemos uso, por tanto, de una metodología cualitativa, descriptiva y exploratoria aplicando como herramienta metodológica el cuestionario. La información audiovisual ha sido siempre la más consumida y se ha incrementado con situaciones como la pandemia mundial de la enfermedad COVID-19. Según el informe de la consultora Barlovento Comunicación publicado en junio de 2020, el consumo audiovisual en España creció un 22%, tanto a través de la televisión convencional como de Internet. La gestión de la sobreinformación y su adaptación a los nuevos entornos de consumo debe ser una máxima para los gestores de contenidos periodísticos. Nuestro estudio concluye, entre otras cosas, que aunque las formas de consumo han variado considerablemente y los directivos de informativos en televisión creen que éstos deben adaptarse a ellas, hasta el momento se han adaptado contenidos a esos nuevos formatos, pero se produce poco material expresamente para las plataformas de podcasting de vídeo o vodcasting en nuestro país.Universidad de Piura. Facultad de Comunicación2021-09-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticle evaluated by pairsArtículo evaluado por parestextoapplication/pdfapplication/xmlhttps://revistadecomunicacion.com/article/view/239610.26441/RC20.2-2021-A16Revista de Comunicación; Vol. 20 No. 2 (2021); 303-318Revista de Comunicación; Vol. 20 Núm. 2 (2021); 303-3182227-14651684-0933reponame:Revista de Comunicacióninstname:Universidad de Piurainstacron:UDEPspahttps://revistadecomunicacion.com/article/view/2396/2096https://revistadecomunicacion.com/article/view/2396/2135Derechos de autor 2021 Revista de Comunicacióninfo:eu-repo/semantics/openAccessoai:revistas.udep.edu.pe:article/23962024-03-26T23:56:01Z |
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13.949556 |
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La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).