The wall paintings of the church of San Pablo de Cacha (Canchis, Peru)
Descripción del Articulo
Recently discovered by a team of restorers, the mural paintings of the Church of San Pablo de Cacha in the Canchis Province of southern Peru have received little scholarly attention. This article provides the first iconographic study of the Church's rich murals, exami...
Autor: | |
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Formato: | artículo |
Fecha de Publicación: | 2011 |
Institución: | Universidad Católica San Pablo |
Repositorio: | Revistas - Universidad Católica San Pablo |
Lenguaje: | español |
OAI Identifier: | oai:revistas.ucsp.edu.pe:article/400 |
Enlace del recurso: | https://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/400 |
Nivel de acceso: | acceso abierto |
Materia: | pintura mural colonialismo religión andina arte Andes indígenas la Iglesia colonial wall painting art |
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The wall paintings of the church of San Pablo de Cacha (Canchis, Peru)Las pinturas murales de la iglesia de San Pablo de Cacha (Canchis, Perú)Cohen Suárez, Anandapintura muralcolonialismoreligión andinaarteAndes indígenasla Iglesia colonialwall paintingartRecently discovered by a team of restorers, the mural paintings of the Church of San Pablo de Cacha in the Canchis Province of southern Peru have received little scholarly attention. This article provides the first iconographic study of the Church's rich murals, examining them in light of their broader historicaland cultural relevance. The paintings were produced in two distinct phases: the first phase corresponds to the early seventeenth century and the second phase was carried out in the late eighteenth century. This study considers the radically different social contexts within which these images were produced andthe distinct meanings that they may have transmitted to local congregations during these two critical moments in colonial Andean history.Recientemente descubiertos por un equipo de restauradores, las pinturas murales de la iglesia de San Pablo de Cacha en la provincia de Canchis, en el sur peruano, han recibido poca atención académica. Este artículo ofrece el primer estudio iconográfico de los ricos murales, investigándolos a la luz de amplica relevancia histórica y cultural. Las pinturas murales fueron producidos en dos fases distintas: la primera corresponde a los principios del siglo XVII y la segunda fue llevada a cabo a finales del siglo XVIII. Este estudio considera los contextos sociales radicalmente diferentes en los que se pintaron estas imágenes y los diferentes significados que podrían haber transmitido a los feligreses locales durante estos dos momentos críticos de la historia colonial andina. Universidad Católica San Pablo2011-01-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiondossierapplication/pdfhttps://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/40010.36901/allpanchis.v43i77/78.400Allpanchis; Vol. 43 Núm. 77/78 (2011): Una Mirada al Arte Surandino; 11-48Allpanchis; Vol. 43 No. 77/78 (2011): A Look at South American Art; 11-482708-89600252-883510.36901/allpanchis.v43i77/78reponame:Revistas - Universidad Católica San Pabloinstname:Universidad Católica San Pabloinstacron:UCSPspahttps://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/400/342Derechos de autor 2011 Ananda Cohen Suárez https://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:revistas.ucsp.edu.pe:article/4002022-05-25T13:05:07Z |
dc.title.none.fl_str_mv |
The wall paintings of the church of San Pablo de Cacha (Canchis, Peru) Las pinturas murales de la iglesia de San Pablo de Cacha (Canchis, Perú) |
title |
The wall paintings of the church of San Pablo de Cacha (Canchis, Peru) |
spellingShingle |
The wall paintings of the church of San Pablo de Cacha (Canchis, Peru) Cohen Suárez, Ananda pintura mural colonialismo religión andina arte Andes indígenas la Iglesia colonial wall painting art |
title_short |
The wall paintings of the church of San Pablo de Cacha (Canchis, Peru) |
title_full |
The wall paintings of the church of San Pablo de Cacha (Canchis, Peru) |
title_fullStr |
The wall paintings of the church of San Pablo de Cacha (Canchis, Peru) |
title_full_unstemmed |
The wall paintings of the church of San Pablo de Cacha (Canchis, Peru) |
title_sort |
The wall paintings of the church of San Pablo de Cacha (Canchis, Peru) |
dc.creator.none.fl_str_mv |
Cohen Suárez, Ananda |
author |
Cohen Suárez, Ananda |
author_facet |
Cohen Suárez, Ananda |
author_role |
author |
dc.subject.none.fl_str_mv |
pintura mural colonialismo religión andina arte Andes indígenas la Iglesia colonial wall painting art |
topic |
pintura mural colonialismo religión andina arte Andes indígenas la Iglesia colonial wall painting art |
description |
Recently discovered by a team of restorers, the mural paintings of the Church of San Pablo de Cacha in the Canchis Province of southern Peru have received little scholarly attention. This article provides the first iconographic study of the Church's rich murals, examining them in light of their broader historicaland cultural relevance. The paintings were produced in two distinct phases: the first phase corresponds to the early seventeenth century and the second phase was carried out in the late eighteenth century. This study considers the radically different social contexts within which these images were produced andthe distinct meanings that they may have transmitted to local congregations during these two critical moments in colonial Andean history. |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-01-19 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion dossier |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
https://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/400 10.36901/allpanchis.v43i77/78.400 |
url |
https://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/400 |
identifier_str_mv |
10.36901/allpanchis.v43i77/78.400 |
dc.language.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/400/342 |
dc.rights.none.fl_str_mv |
Derechos de autor 2011 Ananda Cohen Suárez https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Derechos de autor 2011 Ananda Cohen Suárez https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidad Católica San Pablo |
publisher.none.fl_str_mv |
Universidad Católica San Pablo |
dc.source.none.fl_str_mv |
Allpanchis; Vol. 43 Núm. 77/78 (2011): Una Mirada al Arte Surandino; 11-48 Allpanchis; Vol. 43 No. 77/78 (2011): A Look at South American Art; 11-48 2708-8960 0252-8835 10.36901/allpanchis.v43i77/78 reponame:Revistas - Universidad Católica San Pablo instname:Universidad Católica San Pablo instacron:UCSP |
instname_str |
Universidad Católica San Pablo |
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UCSP |
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UCSP |
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Revistas - Universidad Católica San Pablo |
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Revistas - Universidad Católica San Pablo |
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1842801948432007168 |
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12.653538 |
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La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).