The wall paintings of the church of San Pablo de Cacha (Canchis, Peru)

Descripción del Articulo

Recently discovered by a team of restorers, the mural paintings of the Church of San Pablo de Cacha in the Canchis Province of southern Peru have received little scholarly attention. This article provides the first iconographic study of the Church's rich murals, exami...

Descripción completa

Detalles Bibliográficos
Autor: Cohen Suárez, Ananda
Formato: artículo
Fecha de Publicación:2011
Institución:Universidad Católica San Pablo
Repositorio:Revistas - Universidad Católica San Pablo
Lenguaje:español
OAI Identifier:oai:revistas.ucsp.edu.pe:article/400
Enlace del recurso:https://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/400
Nivel de acceso:acceso abierto
Materia:pintura mural
colonialismo
religión andina
arte
Andes indígenas
la Iglesia colonial
wall painting
art
id REVUCSP_e007252628fcfea5dfe562fdd524c286
oai_identifier_str oai:revistas.ucsp.edu.pe:article/400
network_acronym_str REVUCSP
network_name_str Revistas - Universidad Católica San Pablo
repository_id_str
spelling The wall paintings of the church of San Pablo de Cacha (Canchis, Peru)Las pinturas murales de la iglesia de San Pablo de Cacha (Canchis, Perú)Cohen Suárez, Anandapintura muralcolonialismoreligión andinaarteAndes indígenasla Iglesia colonialwall paintingartRecently discovered by a team of restorers, the mural paintings of the Church of San Pablo de Cacha in the Canchis Province of southern Peru have received little scholarly attention. This article provides the first iconographic study of the Church's rich murals, examining them in light of their broader historicaland cultural relevance. The paintings were produced in two distinct phases: the first phase corresponds to the early seventeenth century and the second phase was carried out in the late eighteenth century. This study considers the radically different social contexts within which these images were produced andthe distinct meanings that they may have transmitted to local congregations during these two critical moments in colonial Andean history.Recientemente descubiertos por un equipo de restauradores, las pinturas murales de la iglesia de San Pablo de Cacha en la provincia de Canchis, en el sur peruano, han recibido poca atención académica. Este artículo ofrece el primer estudio iconográfico de los ricos murales, investigándolos a la luz de amplica relevancia histórica y cultural. Las pinturas murales fueron producidos en dos fases distintas: la primera corresponde a los principios del siglo XVII y la segunda fue llevada a cabo a finales del siglo XVIII. Este estudio considera los contextos sociales radicalmente diferentes en los que se pintaron estas imágenes y los diferentes significados que podrían haber transmitido a los feligreses locales durante estos dos momentos críticos de la historia colonial andina. Universidad Católica San Pablo2011-01-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiondossierapplication/pdfhttps://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/40010.36901/allpanchis.v43i77/78.400Allpanchis; Vol. 43 Núm. 77/78 (2011): Una Mirada al Arte Surandino; 11-48Allpanchis; Vol. 43 No. 77/78 (2011): A Look at South American Art; 11-482708-89600252-883510.36901/allpanchis.v43i77/78reponame:Revistas - Universidad Católica San Pabloinstname:Universidad Católica San Pabloinstacron:UCSPspahttps://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/400/342Derechos de autor 2011 Ananda Cohen Suárez https://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:revistas.ucsp.edu.pe:article/4002022-05-25T13:05:07Z
dc.title.none.fl_str_mv The wall paintings of the church of San Pablo de Cacha (Canchis, Peru)
Las pinturas murales de la iglesia de San Pablo de Cacha (Canchis, Perú)
title The wall paintings of the church of San Pablo de Cacha (Canchis, Peru)
spellingShingle The wall paintings of the church of San Pablo de Cacha (Canchis, Peru)
Cohen Suárez, Ananda
pintura mural
colonialismo
religión andina
arte
Andes indígenas
la Iglesia colonial
wall painting
art
title_short The wall paintings of the church of San Pablo de Cacha (Canchis, Peru)
title_full The wall paintings of the church of San Pablo de Cacha (Canchis, Peru)
title_fullStr The wall paintings of the church of San Pablo de Cacha (Canchis, Peru)
title_full_unstemmed The wall paintings of the church of San Pablo de Cacha (Canchis, Peru)
title_sort The wall paintings of the church of San Pablo de Cacha (Canchis, Peru)
dc.creator.none.fl_str_mv Cohen Suárez, Ananda
author Cohen Suárez, Ananda
author_facet Cohen Suárez, Ananda
author_role author
dc.subject.none.fl_str_mv pintura mural
colonialismo
religión andina
arte
Andes indígenas
la Iglesia colonial
wall painting
art
topic pintura mural
colonialismo
religión andina
arte
Andes indígenas
la Iglesia colonial
wall painting
art
description Recently discovered by a team of restorers, the mural paintings of the Church of San Pablo de Cacha in the Canchis Province of southern Peru have received little scholarly attention. This article provides the first iconographic study of the Church's rich murals, examining them in light of their broader historicaland cultural relevance. The paintings were produced in two distinct phases: the first phase corresponds to the early seventeenth century and the second phase was carried out in the late eighteenth century. This study considers the radically different social contexts within which these images were produced andthe distinct meanings that they may have transmitted to local congregations during these two critical moments in colonial Andean history.
publishDate 2011
dc.date.none.fl_str_mv 2011-01-19
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
dossier
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/400
10.36901/allpanchis.v43i77/78.400
url https://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/400
identifier_str_mv 10.36901/allpanchis.v43i77/78.400
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/400/342
dc.rights.none.fl_str_mv Derechos de autor 2011 Ananda Cohen Suárez
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Derechos de autor 2011 Ananda Cohen Suárez
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidad Católica San Pablo
publisher.none.fl_str_mv Universidad Católica San Pablo
dc.source.none.fl_str_mv Allpanchis; Vol. 43 Núm. 77/78 (2011): Una Mirada al Arte Surandino; 11-48
Allpanchis; Vol. 43 No. 77/78 (2011): A Look at South American Art; 11-48
2708-8960
0252-8835
10.36901/allpanchis.v43i77/78
reponame:Revistas - Universidad Católica San Pablo
instname:Universidad Católica San Pablo
instacron:UCSP
instname_str Universidad Católica San Pablo
instacron_str UCSP
institution UCSP
reponame_str Revistas - Universidad Católica San Pablo
collection Revistas - Universidad Católica San Pablo
repository.name.fl_str_mv
repository.mail.fl_str_mv
_version_ 1842801948432007168
score 12.653538
Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).