A History on the cosmos of Ccapo: identities and alterities in the Southern

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The ccapo is linked to the life of the high Andean populations of South America, in this projection graphing the cultural diversity that this herbaceous acquires, where its use and identity is exposed in the heat that it gives to the parishioners in the icy night of the altipampa , and as a denuda i...

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Detalles Bibliográficos
Autor: Felipe Mario Zapata-Delgado
Formato: artículo
Fecha de Publicación:2019
Institución:Universidad Católica de Santa María
Repositorio:Revistas - Universidad Católica de Santa María
Lenguaje:español
OAI Identifier:oai:ojs.revistas.ucsm.edu.pe:article/219
Enlace del recurso:https://revistas.ucsm.edu.pe/ojs/index.php/veritas/article/view/219
Nivel de acceso:acceso abierto
Materia:Fuego
caminos
entrada ccapo
alteridades
otredades
id REVUCSM_a7626385628b88e0b67840ee4e07749c
oai_identifier_str oai:ojs.revistas.ucsm.edu.pe:article/219
network_acronym_str REVUCSM
network_name_str Revistas - Universidad Católica de Santa María
repository_id_str
dc.title.none.fl_str_mv A History on the cosmos of Ccapo: identities and alterities in the Southern
Una historia sobre el cosmos del Ccapo: identidades y alteridades de en el Surandino

title A History on the cosmos of Ccapo: identities and alterities in the Southern
spellingShingle A History on the cosmos of Ccapo: identities and alterities in the Southern
Felipe Mario Zapata-Delgado
Fuego
caminos
entrada ccapo
alteridades
otredades
title_short A History on the cosmos of Ccapo: identities and alterities in the Southern
title_full A History on the cosmos of Ccapo: identities and alterities in the Southern
title_fullStr A History on the cosmos of Ccapo: identities and alterities in the Southern
title_full_unstemmed A History on the cosmos of Ccapo: identities and alterities in the Southern
title_sort A History on the cosmos of Ccapo: identities and alterities in the Southern
dc.creator.none.fl_str_mv Felipe Mario Zapata-Delgado
author Felipe Mario Zapata-Delgado
author_facet Felipe Mario Zapata-Delgado
author_role author
dc.subject.none.fl_str_mv Fuego
caminos
entrada ccapo
alteridades
otredades
topic Fuego
caminos
entrada ccapo
alteridades
otredades
description The ccapo is linked to the life of the high Andean populations of South America, in this projection graphing the cultural diversity that this herbaceous acquires, where its use and identity is exposed in the heat that it gives to the parishioners in the icy night of the altipampa , and as a denuda in element of the patron feast, It is necessary to point out that a social plot is needed, interact and build. Unlike other times, the protagonists: dancers, band of Ccaperos, entrance of ccapo, the mass, entrance of candles, the treat; They act in a modernity. The organization is more important; the representation and the knowledge to be shown; relegating the historical heritage of the fervor that involved the religious holiday. Then, precisely, this study is framed in investigating otherness, which was not sought and not seen: the pre-Hispanic and colonial origin of this tradition, which allows knowledge based on the stamps of the entrance of Ccapo, the construction of a cultural history of Arequipa, and on the other hand the otherness defined in a vision of the field as an epistemological concept understood as “the rebellion of objects” that take on identity and are recurrent to human action as a natural consequence. The method is defined by a qualitative and historical view, from the ethnographic record, the participant observation and in-depth interviews, within the anthropological view and the collection of sources made in the Archive of Cayma, Municipal, Regional and Archbishop of Arequipa. Which provides vital information to reconstruct and value the history of Arequipa. Results, brings us closer to a perception of an origin from systems and structures such as the Andean worldview of fire, disasters and how they are treated in the colony from the saints and employers, on the other handthe roads will serve as fundamental elements to strengthen culture, economy and society, moving this herbaceous or ccapo that will initially serve to diminish the icy nights of the region but that will enter fully on the eve of the employer's party which is filled with joy, music, bandcappers and the burning of the ccapo In addition, at present the ccapo entrance has been redefined and has been transformed into a large street parade in the city, and in the high Andean parts in festivities with particularity such as taripay.
publishDate 2019
dc.date.none.fl_str_mv 2019-10-16
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.ucsm.edu.pe/ojs/index.php/veritas/article/view/219
10.35286/veritas.v20i1.219
url https://revistas.ucsm.edu.pe/ojs/index.php/veritas/article/view/219
identifier_str_mv 10.35286/veritas.v20i1.219
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.ucsm.edu.pe/ojs/index.php/veritas/article/view/219/144
dc.rights.none.fl_str_mv Derechos de autor 2019 Veritas
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Derechos de autor 2019 Veritas
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidad Católica de Santa María
publisher.none.fl_str_mv Universidad Católica de Santa María
dc.source.none.fl_str_mv Veritas; Vol. 20 Núm. 1 (2019): VÉRITAS: Investigación, Innovación y Desarrollo; 7-21
Veritas; Vol. 20 Núm. 1 (2019): VÉRITAS: Investigación, Innovación y Desarrollo; 7-21
Veritas; Vol. 20 Núm. 1 (2019): VÉRITAS: Investigación, Innovación y Desarrollo; 7-21
1684-7822
1684-7822
10.35286/veritas.v20i1
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spelling A History on the cosmos of Ccapo: identities and alterities in the Southern Una historia sobre el cosmos del Ccapo: identidades y alteridades de en el SurandinoFelipe Mario Zapata-DelgadoFuegocaminosentrada ccapoalteridadesotredadesThe ccapo is linked to the life of the high Andean populations of South America, in this projection graphing the cultural diversity that this herbaceous acquires, where its use and identity is exposed in the heat that it gives to the parishioners in the icy night of the altipampa , and as a denuda in element of the patron feast, It is necessary to point out that a social plot is needed, interact and build. Unlike other times, the protagonists: dancers, band of Ccaperos, entrance of ccapo, the mass, entrance of candles, the treat; They act in a modernity. The organization is more important; the representation and the knowledge to be shown; relegating the historical heritage of the fervor that involved the religious holiday. Then, precisely, this study is framed in investigating otherness, which was not sought and not seen: the pre-Hispanic and colonial origin of this tradition, which allows knowledge based on the stamps of the entrance of Ccapo, the construction of a cultural history of Arequipa, and on the other hand the otherness defined in a vision of the field as an epistemological concept understood as “the rebellion of objects” that take on identity and are recurrent to human action as a natural consequence. The method is defined by a qualitative and historical view, from the ethnographic record, the participant observation and in-depth interviews, within the anthropological view and the collection of sources made in the Archive of Cayma, Municipal, Regional and Archbishop of Arequipa. Which provides vital information to reconstruct and value the history of Arequipa. Results, brings us closer to a perception of an origin from systems and structures such as the Andean worldview of fire, disasters and how they are treated in the colony from the saints and employers, on the other handthe roads will serve as fundamental elements to strengthen culture, economy and society, moving this herbaceous or ccapo that will initially serve to diminish the icy nights of the region but that will enter fully on the eve of the employer's party which is filled with joy, music, bandcappers and the burning of the ccapo In addition, at present the ccapo entrance has been redefined and has been transformed into a large street parade in the city, and in the high Andean parts in festivities with particularity such as taripay.El ccapo está unida a la vida de las poblaciones altoandinas de la américa del Sur, en esta proyección graficar la diversidad cultural que adquiere esta herbácea, donde su uso e identidad está expuesto en el calor que brinda a los parroquianos en noche gélida de la altipampa, y como denuda en elemento de la fiesta patronal, Es necesario señalar que se precisan, interactúan y construyen una trama social. A diferencia de otras épocas, los protagonistas: danzantes, banda de Ccaperos, entrada de ccapo, la misa, entrada de cirios, el convite; actúan en una modernidad. Es más importante la organización; la representación y el saber mostrarse; relegando la herencia histórica del fervor que involucraba la fiesta religiosa. Entonces justamente este estudio se enmarca en indagar en la otredad, lo que no se buscó y no se vio: el origen prehispánico y colonial de esta tradición, la cual permite un conocimiento a partir de la estampas de la entrada de ccapo, la construcción de una historia cultural de Arequipa; y de otro lado la alteridad definida en una visión del ccapo como concepto epistemológico entendida como “la rebelión de los objetos” que cobran identidad y son recurrentes a la acción humana como natural consecuencia. El método, está definido por una mirada cualitativa e histórica, desde el registro etnográfico, la observación participante y entrevistas a profundidad, dentro de la mirada antropológica; y la recolección de fuentes realizado en Archivo de Cayma, Municipal, Regional y Arzobispal de Arequipa. La cual presta información vital para reconstruir y valorar la historia de Arequipa.Resultados, nos acerca hacia un percepción de un origen a partir de sistemas y estructuras como son: la cosmovisión andina, del fuego, los desastres y como estas son atendidas en la colonia mediante santos y patronos; de otro lado los caminos servirán como elementos fundamentales para fortalecer cultura, economía y sociedad, trasladando esta herbácea que servirán inicialmente para disminuir los gélidas noches de la región pero que entraran de lleno a la víspera de la fiesta patronal la cual se llena de alegría, música, banda ccaperos y la quema del ccapo, además en la actualidad la entrada ccapo se ha redefinido y se ha trasformado en un gran pasacalle en la ciudad, y en las partes altoandinas en festejos con particularidad como taripay.Universidad Católica de Santa María2019-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ucsm.edu.pe/ojs/index.php/veritas/article/view/21910.35286/veritas.v20i1.219Veritas; Vol. 20 Núm. 1 (2019): VÉRITAS: Investigación, Innovación y Desarrollo; 7-21Veritas; Vol. 20 Núm. 1 (2019): VÉRITAS: Investigación, Innovación y Desarrollo; 7-21Veritas; Vol. 20 Núm. 1 (2019): VÉRITAS: Investigación, Innovación y Desarrollo; 7-211684-78221684-782210.35286/veritas.v20i1reponame:Revistas - Universidad Católica de Santa Maríainstname:Universidad Católica de Santa Maríainstacron:UCSMspahttps://revistas.ucsm.edu.pe/ojs/index.php/veritas/article/view/219/144Derechos de autor 2019 Veritasinfo:eu-repo/semantics/openAccessoai:ojs.revistas.ucsm.edu.pe:article/2192021-07-13T05:35:58Z
score 13.040751
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