A History on the cosmos of Ccapo: identities and alterities in the Southern
Descripción del Articulo
The ccapo is linked to the life of the high Andean populations of South America, in this projection graphing the cultural diversity that this herbaceous acquires, where its use and identity is exposed in the heat that it gives to the parishioners in the icy night of the altipampa , and as a denuda i...
| Autor: | |
|---|---|
| Formato: | artículo |
| Fecha de Publicación: | 2019 |
| Institución: | Universidad Católica de Santa María |
| Repositorio: | Revistas - Universidad Católica de Santa María |
| Lenguaje: | español |
| OAI Identifier: | oai:ojs.revistas.ucsm.edu.pe:article/219 |
| Enlace del recurso: | https://revistas.ucsm.edu.pe/ojs/index.php/veritas/article/view/219 |
| Nivel de acceso: | acceso abierto |
| Materia: | Fuego caminos entrada ccapo alteridades otredades |
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A History on the cosmos of Ccapo: identities and alterities in the Southern Una historia sobre el cosmos del Ccapo: identidades y alteridades de en el Surandino |
| title |
A History on the cosmos of Ccapo: identities and alterities in the Southern |
| spellingShingle |
A History on the cosmos of Ccapo: identities and alterities in the Southern Felipe Mario Zapata-Delgado Fuego caminos entrada ccapo alteridades otredades |
| title_short |
A History on the cosmos of Ccapo: identities and alterities in the Southern |
| title_full |
A History on the cosmos of Ccapo: identities and alterities in the Southern |
| title_fullStr |
A History on the cosmos of Ccapo: identities and alterities in the Southern |
| title_full_unstemmed |
A History on the cosmos of Ccapo: identities and alterities in the Southern |
| title_sort |
A History on the cosmos of Ccapo: identities and alterities in the Southern |
| dc.creator.none.fl_str_mv |
Felipe Mario Zapata-Delgado |
| author |
Felipe Mario Zapata-Delgado |
| author_facet |
Felipe Mario Zapata-Delgado |
| author_role |
author |
| dc.subject.none.fl_str_mv |
Fuego caminos entrada ccapo alteridades otredades |
| topic |
Fuego caminos entrada ccapo alteridades otredades |
| description |
The ccapo is linked to the life of the high Andean populations of South America, in this projection graphing the cultural diversity that this herbaceous acquires, where its use and identity is exposed in the heat that it gives to the parishioners in the icy night of the altipampa , and as a denuda in element of the patron feast, It is necessary to point out that a social plot is needed, interact and build. Unlike other times, the protagonists: dancers, band of Ccaperos, entrance of ccapo, the mass, entrance of candles, the treat; They act in a modernity. The organization is more important; the representation and the knowledge to be shown; relegating the historical heritage of the fervor that involved the religious holiday. Then, precisely, this study is framed in investigating otherness, which was not sought and not seen: the pre-Hispanic and colonial origin of this tradition, which allows knowledge based on the stamps of the entrance of Ccapo, the construction of a cultural history of Arequipa, and on the other hand the otherness defined in a vision of the field as an epistemological concept understood as “the rebellion of objects” that take on identity and are recurrent to human action as a natural consequence. The method is defined by a qualitative and historical view, from the ethnographic record, the participant observation and in-depth interviews, within the anthropological view and the collection of sources made in the Archive of Cayma, Municipal, Regional and Archbishop of Arequipa. Which provides vital information to reconstruct and value the history of Arequipa. Results, brings us closer to a perception of an origin from systems and structures such as the Andean worldview of fire, disasters and how they are treated in the colony from the saints and employers, on the other handthe roads will serve as fundamental elements to strengthen culture, economy and society, moving this herbaceous or ccapo that will initially serve to diminish the icy nights of the region but that will enter fully on the eve of the employer's party which is filled with joy, music, bandcappers and the burning of the ccapo In addition, at present the ccapo entrance has been redefined and has been transformed into a large street parade in the city, and in the high Andean parts in festivities with particularity such as taripay. |
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2019 |
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2019-10-16 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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publishedVersion |
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https://revistas.ucsm.edu.pe/ojs/index.php/veritas/article/view/219 10.35286/veritas.v20i1.219 |
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https://revistas.ucsm.edu.pe/ojs/index.php/veritas/article/view/219 |
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10.35286/veritas.v20i1.219 |
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spa |
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spa |
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https://revistas.ucsm.edu.pe/ojs/index.php/veritas/article/view/219/144 |
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Derechos de autor 2019 Veritas info:eu-repo/semantics/openAccess |
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Derechos de autor 2019 Veritas |
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openAccess |
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application/pdf |
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Universidad Católica de Santa María |
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Universidad Católica de Santa María |
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Veritas; Vol. 20 Núm. 1 (2019): VÉRITAS: Investigación, Innovación y Desarrollo; 7-21 Veritas; Vol. 20 Núm. 1 (2019): VÉRITAS: Investigación, Innovación y Desarrollo; 7-21 Veritas; Vol. 20 Núm. 1 (2019): VÉRITAS: Investigación, Innovación y Desarrollo; 7-21 1684-7822 1684-7822 10.35286/veritas.v20i1 reponame:Revistas - Universidad Católica de Santa María instname:Universidad Católica de Santa María instacron:UCSM |
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Universidad Católica de Santa María |
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Revistas - Universidad Católica de Santa María |
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Revistas - Universidad Católica de Santa María |
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A History on the cosmos of Ccapo: identities and alterities in the Southern Una historia sobre el cosmos del Ccapo: identidades y alteridades de en el SurandinoFelipe Mario Zapata-DelgadoFuegocaminosentrada ccapoalteridadesotredadesThe ccapo is linked to the life of the high Andean populations of South America, in this projection graphing the cultural diversity that this herbaceous acquires, where its use and identity is exposed in the heat that it gives to the parishioners in the icy night of the altipampa , and as a denuda in element of the patron feast, It is necessary to point out that a social plot is needed, interact and build. Unlike other times, the protagonists: dancers, band of Ccaperos, entrance of ccapo, the mass, entrance of candles, the treat; They act in a modernity. The organization is more important; the representation and the knowledge to be shown; relegating the historical heritage of the fervor that involved the religious holiday. Then, precisely, this study is framed in investigating otherness, which was not sought and not seen: the pre-Hispanic and colonial origin of this tradition, which allows knowledge based on the stamps of the entrance of Ccapo, the construction of a cultural history of Arequipa, and on the other hand the otherness defined in a vision of the field as an epistemological concept understood as “the rebellion of objects” that take on identity and are recurrent to human action as a natural consequence. The method is defined by a qualitative and historical view, from the ethnographic record, the participant observation and in-depth interviews, within the anthropological view and the collection of sources made in the Archive of Cayma, Municipal, Regional and Archbishop of Arequipa. Which provides vital information to reconstruct and value the history of Arequipa. Results, brings us closer to a perception of an origin from systems and structures such as the Andean worldview of fire, disasters and how they are treated in the colony from the saints and employers, on the other handthe roads will serve as fundamental elements to strengthen culture, economy and society, moving this herbaceous or ccapo that will initially serve to diminish the icy nights of the region but that will enter fully on the eve of the employer's party which is filled with joy, music, bandcappers and the burning of the ccapo In addition, at present the ccapo entrance has been redefined and has been transformed into a large street parade in the city, and in the high Andean parts in festivities with particularity such as taripay.El ccapo está unida a la vida de las poblaciones altoandinas de la américa del Sur, en esta proyección graficar la diversidad cultural que adquiere esta herbácea, donde su uso e identidad está expuesto en el calor que brinda a los parroquianos en noche gélida de la altipampa, y como denuda en elemento de la fiesta patronal, Es necesario señalar que se precisan, interactúan y construyen una trama social. A diferencia de otras épocas, los protagonistas: danzantes, banda de Ccaperos, entrada de ccapo, la misa, entrada de cirios, el convite; actúan en una modernidad. Es más importante la organización; la representación y el saber mostrarse; relegando la herencia histórica del fervor que involucraba la fiesta religiosa. Entonces justamente este estudio se enmarca en indagar en la otredad, lo que no se buscó y no se vio: el origen prehispánico y colonial de esta tradición, la cual permite un conocimiento a partir de la estampas de la entrada de ccapo, la construcción de una historia cultural de Arequipa; y de otro lado la alteridad definida en una visión del ccapo como concepto epistemológico entendida como “la rebelión de los objetos” que cobran identidad y son recurrentes a la acción humana como natural consecuencia. El método, está definido por una mirada cualitativa e histórica, desde el registro etnográfico, la observación participante y entrevistas a profundidad, dentro de la mirada antropológica; y la recolección de fuentes realizado en Archivo de Cayma, Municipal, Regional y Arzobispal de Arequipa. La cual presta información vital para reconstruir y valorar la historia de Arequipa.Resultados, nos acerca hacia un percepción de un origen a partir de sistemas y estructuras como son: la cosmovisión andina, del fuego, los desastres y como estas son atendidas en la colonia mediante santos y patronos; de otro lado los caminos servirán como elementos fundamentales para fortalecer cultura, economía y sociedad, trasladando esta herbácea que servirán inicialmente para disminuir los gélidas noches de la región pero que entraran de lleno a la víspera de la fiesta patronal la cual se llena de alegría, música, banda ccaperos y la quema del ccapo, además en la actualidad la entrada ccapo se ha redefinido y se ha trasformado en un gran pasacalle en la ciudad, y en las partes altoandinas en festejos con particularidad como taripay.Universidad Católica de Santa María2019-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ucsm.edu.pe/ojs/index.php/veritas/article/view/21910.35286/veritas.v20i1.219Veritas; Vol. 20 Núm. 1 (2019): VÉRITAS: Investigación, Innovación y Desarrollo; 7-21Veritas; Vol. 20 Núm. 1 (2019): VÉRITAS: Investigación, Innovación y Desarrollo; 7-21Veritas; Vol. 20 Núm. 1 (2019): VÉRITAS: Investigación, Innovación y Desarrollo; 7-211684-78221684-782210.35286/veritas.v20i1reponame:Revistas - Universidad Católica de Santa Maríainstname:Universidad Católica de Santa Maríainstacron:UCSMspahttps://revistas.ucsm.edu.pe/ojs/index.php/veritas/article/view/219/144Derechos de autor 2019 Veritasinfo:eu-repo/semantics/openAccessoai:ojs.revistas.ucsm.edu.pe:article/2192021-07-13T05:35:58Z |
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13.040751 |
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La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).