Alias Alejandro and Sibila, family portrait of the internal conflict in Peru

Descripción del Articulo

Among the political documentary cinema in Latin America, Peru documentary has been focused in its internal conflict since the last fifteen years. This subject has been on the core of different analysis and publications. However, the subjective turn has not been taking importance along&n...

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Detalles Bibliográficos
Autor: Godoy, Mauricio
Formato: artículo
Fecha de Publicación:2017
Institución:Pontificia Universidad Católica del Perú
Repositorio:Revistas - Pontificia Universidad Católica del Perú
Lenguaje:español
OAI Identifier:oai:revistaspuc:article/19010
Enlace del recurso:http://revistas.pucp.edu.pe/index.php/conexion/article/view/19010
Nivel de acceso:acceso abierto
Materia:Peruvian documentary
Political violence
Memory
Autobiographical movies
Documental peruano
Violencia política
Memoria
Películas autobiográficas
Descripción
Sumario:Among the political documentary cinema in Latin America, Peru documentary has been focused in its internal conflict since the last fifteen years. This subject has been on the core of different analysis and publications. However, the subjective turn has not been taking importance along these works. In this article the author discusses about the importance on the subjectivity through the analysis of the films Alias Alejandro (Cárdenas, 2005) and Sibila (Arredondo, 2012), in which ones with an autobiographical approach results in a complex final product, taking distance of the apparent “truth” representations mainly boarded by classical documentaries films.
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