Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, Peru
Descripción del Articulo
This article aims to reflect on a challenging process of artistic creation of collective writing from an anthropological perspective, arising from academic research, around which a clown performance event was built. This scenic event, in turn, proceeded to be transferred from its original live perfo...
| Autores: | , , , , , |
|---|---|
| Formato: | artículo |
| Fecha de Publicación: | 2023 |
| Institución: | Pontificia Universidad Católica del Perú |
| Repositorio: | Revistas - Pontificia Universidad Católica del Perú |
| Lenguaje: | español |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/27996 |
| Enlace del recurso: | http://revistas.pucp.edu.pe/index.php/anthropologica/article/view/27996 |
| Nivel de acceso: | acceso abierto |
| Materia: | Cultural rights Human rights Culture Cultural diversity Cultural performance Clown Derechos culturales Derechos humanos Cultura Diversidad cultural Performance cultural |
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Revistas - Pontificia Universidad Católica del Perú |
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Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, Peru Cultura: ¿un derecho para todxs? Propuesta de investigación-acción en derechos culturales |
| title |
Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, Peru |
| spellingShingle |
Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, Peru Pacheco Mariselli, Martha Cultural rights Human rights Culture Cultural diversity Cultural performance Clown Derechos culturales Derechos humanos Cultura Diversidad cultural Performance cultural Clown |
| title_short |
Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, Peru |
| title_full |
Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, Peru |
| title_fullStr |
Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, Peru |
| title_full_unstemmed |
Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, Peru |
| title_sort |
Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, Peru |
| dc.creator.none.fl_str_mv |
Pacheco Mariselli, Martha Díaz, Germán Díaz Rodríguez, Samanta Romero Reynel Joyja, Allisson Rita Lau Barba, Milos Basilio Saldaña, Cristian |
| author |
Pacheco Mariselli, Martha |
| author_facet |
Pacheco Mariselli, Martha Díaz, Germán Díaz Rodríguez, Samanta Romero Reynel Joyja, Allisson Rita Lau Barba, Milos Basilio Saldaña, Cristian |
| author_role |
author |
| author2 |
Díaz, Germán Díaz Rodríguez, Samanta Romero Reynel Joyja, Allisson Rita Lau Barba, Milos Basilio Saldaña, Cristian |
| author2_role |
author author author author author |
| dc.subject.none.fl_str_mv |
Cultural rights Human rights Culture Cultural diversity Cultural performance Clown Derechos culturales Derechos humanos Cultura Diversidad cultural Performance cultural Clown |
| topic |
Cultural rights Human rights Culture Cultural diversity Cultural performance Clown Derechos culturales Derechos humanos Cultura Diversidad cultural Performance cultural Clown |
| description |
This article aims to reflect on a challenging process of artistic creation of collective writing from an anthropological perspective, arising from academic research, around which a clown performance event was built. This scenic event, in turn, proceeded to be transferred from its original live performance format to an audiovisual recording format of that same performance. The transition from a situation of simultaneous presence of the clown and his audience, to another where the corporeal, sensory, emotional participation of the audiences is “mediated” by the production decisions that “compose” a “gaze” expressed by the camera that, as deferred “narrator,” assumes the leadership of an expressive communication process about the human values and emotions defined by a culture, in front of an anonymous audience. Confronting the initial challenge of finding significant expressive ways to “translate” the legal discourse (abstract, with a bias of supposed universality assumed to be homogeneous) on human rights and citizenship, a proposal was progressively developed, one that intuitively combined within a general logic of action research, strategies of collective creation, artistic performance research, specificallyclown, as well as the design of a technical proposal for audiovisual media that suggests an explanation of cultural rights (core part of the human rights set) as basis for the full exercise of an also expanded definition of citizenship; one based on cultural diversity, and its mark in the identity generation processes. |
| publishDate |
2023 |
| dc.date.none.fl_str_mv |
2023-12-21 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
| status_str |
publishedVersion |
| dc.identifier.none.fl_str_mv |
http://revistas.pucp.edu.pe/index.php/anthropologica/article/view/27996 |
| url |
http://revistas.pucp.edu.pe/index.php/anthropologica/article/view/27996 |
| dc.language.none.fl_str_mv |
spa |
| language |
spa |
| dc.relation.none.fl_str_mv |
http://revistas.pucp.edu.pe/index.php/anthropologica/article/view/27996/25994 |
| dc.rights.none.fl_str_mv |
https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
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https://creativecommons.org/licenses/by-nc/4.0 |
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openAccess |
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application/pdf |
| dc.publisher.none.fl_str_mv |
Pontificia Universidad Católica del Perú |
| publisher.none.fl_str_mv |
Pontificia Universidad Católica del Perú |
| dc.source.none.fl_str_mv |
Anthropologica del Departamento de Ciencias Sociales; Vol. 41 No. 51 (2023): History, validity and materiality of the state of emergency in Peru/Cultural transmission, ecology and representation; 137-174 Anthropologica; Vol. 41 Núm. 51 (2023): Historia, vigencia y materialidad del Estado de Emergencia en el Perú/Transmisión cultural, ecología y representación; 137-174 2224-6428 0254-9212 reponame:Revistas - Pontificia Universidad Católica del Perú instname:Pontificia Universidad Católica del Perú instacron:PUCP |
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Pontificia Universidad Católica del Perú |
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PUCP |
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PUCP |
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Revistas - Pontificia Universidad Católica del Perú |
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Revistas - Pontificia Universidad Católica del Perú |
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1847243696577183744 |
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Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, PeruCultura: ¿un derecho para todxs? Propuesta de investigación-acción en derechos culturalesPacheco Mariselli, MarthaDíaz, Germán DíazRodríguez, Samanta RomeroReynel Joyja, Allisson RitaLau Barba, MilosBasilio Saldaña, CristianCultural rightsHuman rightsCultureCultural diversityCultural performanceClownDerechos culturalesDerechos humanosCulturaDiversidad culturalPerformance culturalClownThis article aims to reflect on a challenging process of artistic creation of collective writing from an anthropological perspective, arising from academic research, around which a clown performance event was built. This scenic event, in turn, proceeded to be transferred from its original live performance format to an audiovisual recording format of that same performance. The transition from a situation of simultaneous presence of the clown and his audience, to another where the corporeal, sensory, emotional participation of the audiences is “mediated” by the production decisions that “compose” a “gaze” expressed by the camera that, as deferred “narrator,” assumes the leadership of an expressive communication process about the human values and emotions defined by a culture, in front of an anonymous audience. Confronting the initial challenge of finding significant expressive ways to “translate” the legal discourse (abstract, with a bias of supposed universality assumed to be homogeneous) on human rights and citizenship, a proposal was progressively developed, one that intuitively combined within a general logic of action research, strategies of collective creation, artistic performance research, specificallyclown, as well as the design of a technical proposal for audiovisual media that suggests an explanation of cultural rights (core part of the human rights set) as basis for the full exercise of an also expanded definition of citizenship; one based on cultural diversity, and its mark in the identity generation processes.El presente artículo se propone reflexionar, desde la Antropología, sobreun retador proceso de creación artística de escritura colectiva, surgido de una investigación académica, a partir del cual se construyó un hecho escénico clown. La puesta en escena, a su vez, se trasladó desde su formato original de performance en vivo hacia otro audiovisualmente registrado. El tránsito desde una situación de presencia simultánea del clown y su audiencia, hacia otra donde la participación corpórea, sensorial, emotiva de las audiencias es «mediada» por las decisiones de producción que «componen» una «mirada» desde la cámara que, en tanto «narradora» diferida ante una audiencia anónima, asume la conducción de un proceso de comunicación expresiva de los valores y emociones humanos definidos por una cultura. Ante el reto inicial de encontrar maneras expresivas significativas de «traducir» el discurso jurídico —abstracto, con un sesgo de supuesta universalidad asumida como homogénea— sobre derechos humanos y ciudadanía, se desarrolló progresivamente una propuesta queintuitivamente combinó, al interior de una lógica general de investigaciónacción, la creación colectiva, la investigación artística de performance, concretamente clown, y el diseño de una propuesta audiovisual que sirviera para explicar amigablemente los derechos culturales —componente del conjunto de los derechos humanos— entendidos como base del pleno ejercicio de ciudadanía, cuya definición ampliada parta de la diversidad cultural y se estructure desde los derechos culturales.Pontificia Universidad Católica del Perú2023-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://revistas.pucp.edu.pe/index.php/anthropologica/article/view/27996Anthropologica del Departamento de Ciencias Sociales; Vol. 41 No. 51 (2023): History, validity and materiality of the state of emergency in Peru/Cultural transmission, ecology and representation; 137-174Anthropologica; Vol. 41 Núm. 51 (2023): Historia, vigencia y materialidad del Estado de Emergencia en el Perú/Transmisión cultural, ecología y representación; 137-1742224-64280254-9212reponame:Revistas - Pontificia Universidad Católica del Perúinstname:Pontificia Universidad Católica del Perúinstacron:PUCPspahttp://revistas.pucp.edu.pe/index.php/anthropologica/article/view/27996/25994Derechos de autor 2023 Martha Pacheco Mariselli, Germán Díaz Díaz, Samanta Romero Rodríguez, Allisson Rita Reynel Joyja, Milos Lau Barba, Cristian Basilio Saldañahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessoai:ojs.pkp.sfu.ca:article/279962024-01-17T16:30:35Z |
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13.121034 |
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La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).