Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, Peru

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This article aims to reflect on a challenging process of artistic creation of collective writing from an anthropological perspective, arising from academic research, around which a clown performance event was built. This scenic event, in turn, proceeded to be transferred from its original live perfo...

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Detalles Bibliográficos
Autores: Pacheco Mariselli, Martha, Díaz, Germán Díaz, Rodríguez, Samanta Romero, Reynel Joyja, Allisson Rita, Lau Barba, Milos, Basilio Saldaña, Cristian
Formato: artículo
Fecha de Publicación:2023
Institución:Pontificia Universidad Católica del Perú
Repositorio:Revistas - Pontificia Universidad Católica del Perú
Lenguaje:español
OAI Identifier:oai:revistaspuc:article/27996
Enlace del recurso:http://revistas.pucp.edu.pe/index.php/anthropologica/article/view/27996
Nivel de acceso:acceso abierto
Materia:Cultural rights
Human rights
Culture
Cultural diversity
Cultural performance
Clown
Derechos culturales
Derechos humanos
Cultura
Diversidad cultural
Performance cultural
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network_name_str Revistas - Pontificia Universidad Católica del Perú
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dc.title.none.fl_str_mv Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, Peru
Cultura: ¿un derecho para todxs? Propuesta de investigación-acción en derechos culturales
title Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, Peru
spellingShingle Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, Peru
Pacheco Mariselli, Martha
Cultural rights
Human rights
Culture
Cultural diversity
Cultural performance
Clown
Derechos culturales
Derechos humanos
Cultura
Diversidad cultural
Performance cultural
Clown
title_short Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, Peru
title_full Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, Peru
title_fullStr Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, Peru
title_full_unstemmed Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, Peru
title_sort Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, Peru
dc.creator.none.fl_str_mv Pacheco Mariselli, Martha
Díaz, Germán Díaz
Rodríguez, Samanta Romero
Reynel Joyja, Allisson Rita
Lau Barba, Milos
Basilio Saldaña, Cristian
author Pacheco Mariselli, Martha
author_facet Pacheco Mariselli, Martha
Díaz, Germán Díaz
Rodríguez, Samanta Romero
Reynel Joyja, Allisson Rita
Lau Barba, Milos
Basilio Saldaña, Cristian
author_role author
author2 Díaz, Germán Díaz
Rodríguez, Samanta Romero
Reynel Joyja, Allisson Rita
Lau Barba, Milos
Basilio Saldaña, Cristian
author2_role author
author
author
author
author
dc.subject.none.fl_str_mv Cultural rights
Human rights
Culture
Cultural diversity
Cultural performance
Clown
Derechos culturales
Derechos humanos
Cultura
Diversidad cultural
Performance cultural
Clown
topic Cultural rights
Human rights
Culture
Cultural diversity
Cultural performance
Clown
Derechos culturales
Derechos humanos
Cultura
Diversidad cultural
Performance cultural
Clown
description This article aims to reflect on a challenging process of artistic creation of collective writing from an anthropological perspective, arising from academic research, around which a clown performance event was built. This scenic event, in turn, proceeded to be transferred from its original live performance format to an audiovisual recording format of that same performance. The transition from a situation of simultaneous presence of the clown and his audience, to another where the corporeal, sensory, emotional participation of the audiences is “mediated” by the production decisions that “compose” a “gaze” expressed by the camera that, as deferred “narrator,” assumes the leadership of an expressive communication process about the human values and emotions defined by a culture, in front of an anonymous audience. Confronting the initial challenge of finding significant expressive ways to “translate” the legal discourse (abstract, with a bias of supposed universality assumed to be homogeneous) on human rights and citizenship, a proposal was progressively developed, one that intuitively combined within a general logic of action research, strategies of collective creation, artistic performance research, specificallyclown, as well as the design of a technical proposal for audiovisual media that suggests an explanation of cultural rights (core part of the human rights set) as basis for the full exercise of an also expanded definition of citizenship; one based on cultural diversity, and its mark in the identity generation processes.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-21
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://revistas.pucp.edu.pe/index.php/anthropologica/article/view/27996
10.18800/anthropologica.202302.006
url http://revistas.pucp.edu.pe/index.php/anthropologica/article/view/27996
identifier_str_mv 10.18800/anthropologica.202302.006
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv http://revistas.pucp.edu.pe/index.php/anthropologica/article/view/27996/25994
dc.rights.none.fl_str_mv http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Pontificia Universidad Católica del Perú
publisher.none.fl_str_mv Pontificia Universidad Católica del Perú
dc.source.none.fl_str_mv Anthropologica; Vol. 41 Núm. 51 (2023): Historia, vigencia y materialidad del Estado de Emergencia en el Perú/Transmisión cultural, ecología y representación; 137-174
2224-6428
0254-9212
reponame:Revistas - Pontificia Universidad Católica del Perú
instname:Pontificia Universidad Católica del Perú
instacron:PUCP
instname_str Pontificia Universidad Católica del Perú
instacron_str PUCP
institution PUCP
reponame_str Revistas - Pontificia Universidad Católica del Perú
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spelling Culture: A Right for Everyone? Action Research Proposal on Cultural Rights from the Clown Language in Young People from Lima, PeruCultura: ¿un derecho para todxs? Propuesta de investigación-acción en derechos culturalesPacheco Mariselli, MarthaDíaz, Germán DíazRodríguez, Samanta RomeroReynel Joyja, Allisson RitaLau Barba, MilosBasilio Saldaña, CristianCultural rightsHuman rightsCultureCultural diversityCultural performanceClownDerechos culturalesDerechos humanosCulturaDiversidad culturalPerformance culturalClownThis article aims to reflect on a challenging process of artistic creation of collective writing from an anthropological perspective, arising from academic research, around which a clown performance event was built. This scenic event, in turn, proceeded to be transferred from its original live performance format to an audiovisual recording format of that same performance. The transition from a situation of simultaneous presence of the clown and his audience, to another where the corporeal, sensory, emotional participation of the audiences is “mediated” by the production decisions that “compose” a “gaze” expressed by the camera that, as deferred “narrator,” assumes the leadership of an expressive communication process about the human values and emotions defined by a culture, in front of an anonymous audience. Confronting the initial challenge of finding significant expressive ways to “translate” the legal discourse (abstract, with a bias of supposed universality assumed to be homogeneous) on human rights and citizenship, a proposal was progressively developed, one that intuitively combined within a general logic of action research, strategies of collective creation, artistic performance research, specificallyclown, as well as the design of a technical proposal for audiovisual media that suggests an explanation of cultural rights (core part of the human rights set) as basis for the full exercise of an also expanded definition of citizenship; one based on cultural diversity, and its mark in the identity generation processes.El presente artículo se propone reflexionar, desde la Antropología, sobreun retador proceso de creación artística de escritura colectiva, surgido de una investigación académica, a partir del cual se construyó un hecho escénico clown. La puesta en escena, a su vez, se trasladó desde su formato original de performance en vivo hacia otro audiovisualmente registrado. El tránsito desde una situación de presencia simultánea del clown y su audiencia, hacia otra donde la participación corpórea, sensorial, emotiva de las audiencias es «mediada» por las decisiones de producción que «componen» una «mirada» desde la cámara que, en tanto «narradora» diferida ante una audiencia anónima, asume la conducción de un proceso de comunicación expresiva de los valores y emociones humanos definidos por una cultura. Ante el reto inicial de encontrar maneras expresivas significativas de «traducir» el discurso jurídico —abstracto, con un sesgo de supuesta universalidad asumida como homogénea— sobre derechos humanos y ciudadanía, se desarrolló progresivamente una propuesta queintuitivamente combinó, al interior de una lógica general de investigaciónacción, la creación colectiva, la investigación artística de performance, concretamente clown, y el diseño de una propuesta audiovisual que sirviera para explicar amigablemente los derechos culturales —componente del conjunto de los derechos humanos— entendidos como base del pleno ejercicio de ciudadanía, cuya definición ampliada parta de la diversidad cultural y se estructure desde los derechos culturales.Pontificia Universidad Católica del Perú2023-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://revistas.pucp.edu.pe/index.php/anthropologica/article/view/2799610.18800/anthropologica.202302.006Anthropologica; Vol. 41 Núm. 51 (2023): Historia, vigencia y materialidad del Estado de Emergencia en el Perú/Transmisión cultural, ecología y representación; 137-1742224-64280254-9212reponame:Revistas - Pontificia Universidad Católica del Perúinstname:Pontificia Universidad Católica del Perúinstacron:PUCPspahttp://revistas.pucp.edu.pe/index.php/anthropologica/article/view/27996/25994Derechos de autor 2023 Martha Pacheco Mariselli, Germán Díaz Díaz, Samanta Romero Rodríguez, Allisson Rita Reynel Joyja, Milos Lau Barba, Cristian Basilio Saldañahttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessoai:revistaspuc:article/279962024-01-17T16:30:35Z
score 13.457506
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