The Grotesque as Transpoetics and its Territorialization in the “Grotesco Criollo”

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Based on the analysis of Mateo (1923) by Armando Discépolo, we reflect on the “grotesco criollo”, a poetics of Argentine theater that begins with this dramatic text, as a territorialization of the transpoetics of the grotesque. We understand transpoetics in terms of Comparative Theater and Comparati...

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Detalles Bibliográficos
Autor: Dubatti, Jorge Adrián
Formato: artículo
Fecha de Publicación:2025
Institución:Pontificia Universidad Católica del Perú
Repositorio:Revistas - Pontificia Universidad Católica del Perú
Lenguaje:español
OAI Identifier:oai:ojs.pkp.sfu.ca:article/30998
Enlace del recurso:http://revistas.pucp.edu.pe/index.php/kaylla/article/view/30998
Nivel de acceso:acceso abierto
Materia:Teatro
Teatro Comparado
Poética Teatral
Poética Comparada
Theater
Comparative Theater
Theatrical Poetics
Comparative Poetics
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spelling The Grotesque as Transpoetics and its Territorialization in the “Grotesco Criollo”El grotesco como transpoética y su territorialización en el “grotesco criollo”O grotesco como transpoética e sua territorialização no “grotesco crioulo”Dubatti, Jorge AdriánTeatroTeatro ComparadoPoética TeatralPoética ComparadaTheaterComparative TheaterTheatrical PoeticsComparative PoeticsTeatroTeatro ComparadoPoética TeatralPoética ComparadaBased on the analysis of Mateo (1923) by Armando Discépolo, we reflect on the “grotesco criollo”, a poetics of Argentine theater that begins with this dramatic text, as a territorialization of the transpoetics of the grotesque. We understand transpoetics in terms of Comparative Theater and Comparative Theatrical Poetics, as a long-lasting poetics which remains constant through the centuries and is territorialized in each epoch and each context with specific variations.A partir del análisis de Mateo (1923) de Armando Discépolo, se reflexiona sobre el “grotesco criollo”, poética del teatro argentino que se inicia con este texto dramático, como territorialización de la transpoética del grotesco. Llamamos transpoética, en términos de Teatro Comparado y de Poética Teatral Comparada, a una poética de larga duración que permanece constante a través de los siglos y se territorializa en cada época y en cada contexto con variaciones específicas.A partir da análise de Mateo (1923), de Armando Discépolo, reflectimos sobre o “grotesco criollo” (poética do teatro argentino que começa com este texto dramático) como uma territorialização da transpoética do grotesco. Chamamos transpoética (em termos de Teatro Comparado e Poética Teatral Comparada) uma poética de longa duração, que se mantém constante ao longo dos séculos e que se territorializa em cada época e contexto com variações específicas.Departamento Académico de Artes Escénicas2025-11-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer reviewed articleArtículo evaluado por paresArtigo avaliado por paresapplication/pdfapplication/epub+ziphttp://revistas.pucp.edu.pe/index.php/kaylla/article/view/30998Kaylla Journal of Performing Arts; No. 4 (2025): Kaylla N°4 – As Artes Cênicas Discutindo a História; 49-62Revista Kaylla; Núm. 4 (2025): Kaylla N°4 – Las artes escénicas discutiendo la historia; 49-62Revista Kaylla; n. 4 (2025): Kaylla N°4 – History Discussed by Performing Arts; 49-622955-8697reponame:Revistas - Pontificia Universidad Católica del Perúinstname:Pontificia Universidad Católica del Perúinstacron:PUCPspahttp://revistas.pucp.edu.pe/index.php/kaylla/article/view/30998/28110http://revistas.pucp.edu.pe/index.php/kaylla/article/view/30998/28130https://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:ojs.pkp.sfu.ca:article/309982025-11-17T23:56:46Z
dc.title.none.fl_str_mv The Grotesque as Transpoetics and its Territorialization in the “Grotesco Criollo”
El grotesco como transpoética y su territorialización en el “grotesco criollo”
O grotesco como transpoética e sua territorialização no “grotesco crioulo”
title The Grotesque as Transpoetics and its Territorialization in the “Grotesco Criollo”
spellingShingle The Grotesque as Transpoetics and its Territorialization in the “Grotesco Criollo”
Dubatti, Jorge Adrián
Teatro
Teatro Comparado
Poética Teatral
Poética Comparada
Theater
Comparative Theater
Theatrical Poetics
Comparative Poetics
Teatro
Teatro Comparado
Poética Teatral
Poética Comparada
title_short The Grotesque as Transpoetics and its Territorialization in the “Grotesco Criollo”
title_full The Grotesque as Transpoetics and its Territorialization in the “Grotesco Criollo”
title_fullStr The Grotesque as Transpoetics and its Territorialization in the “Grotesco Criollo”
title_full_unstemmed The Grotesque as Transpoetics and its Territorialization in the “Grotesco Criollo”
title_sort The Grotesque as Transpoetics and its Territorialization in the “Grotesco Criollo”
dc.creator.none.fl_str_mv Dubatti, Jorge Adrián
author Dubatti, Jorge Adrián
author_facet Dubatti, Jorge Adrián
author_role author
dc.subject.none.fl_str_mv Teatro
Teatro Comparado
Poética Teatral
Poética Comparada
Theater
Comparative Theater
Theatrical Poetics
Comparative Poetics
Teatro
Teatro Comparado
Poética Teatral
Poética Comparada
topic Teatro
Teatro Comparado
Poética Teatral
Poética Comparada
Theater
Comparative Theater
Theatrical Poetics
Comparative Poetics
Teatro
Teatro Comparado
Poética Teatral
Poética Comparada
description Based on the analysis of Mateo (1923) by Armando Discépolo, we reflect on the “grotesco criollo”, a poetics of Argentine theater that begins with this dramatic text, as a territorialization of the transpoetics of the grotesque. We understand transpoetics in terms of Comparative Theater and Comparative Theatrical Poetics, as a long-lasting poetics which remains constant through the centuries and is territorialized in each epoch and each context with specific variations.
publishDate 2025
dc.date.none.fl_str_mv 2025-11-14
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer reviewed article
Artículo evaluado por pares
Artigo avaliado por pares
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://revistas.pucp.edu.pe/index.php/kaylla/article/view/30998
url http://revistas.pucp.edu.pe/index.php/kaylla/article/view/30998
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv http://revistas.pucp.edu.pe/index.php/kaylla/article/view/30998/28110
http://revistas.pucp.edu.pe/index.php/kaylla/article/view/30998/28130
dc.rights.none.fl_str_mv https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/epub+zip
dc.publisher.none.fl_str_mv Departamento Académico de Artes Escénicas
publisher.none.fl_str_mv Departamento Académico de Artes Escénicas
dc.source.none.fl_str_mv Kaylla Journal of Performing Arts; No. 4 (2025): Kaylla N°4 – As Artes Cênicas Discutindo a História; 49-62
Revista Kaylla; Núm. 4 (2025): Kaylla N°4 – Las artes escénicas discutiendo la historia; 49-62
Revista Kaylla; n. 4 (2025): Kaylla N°4 – History Discussed by Performing Arts; 49-62
2955-8697
reponame:Revistas - Pontificia Universidad Católica del Perú
instname:Pontificia Universidad Católica del Perú
instacron:PUCP
instname_str Pontificia Universidad Católica del Perú
instacron_str PUCP
institution PUCP
reponame_str Revistas - Pontificia Universidad Católica del Perú
collection Revistas - Pontificia Universidad Católica del Perú
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 13.937783
The Grotesque as Transpoetics and its Territorialization in the “Grotesco Criollo”
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