The greatest silence of the writing: Japanese aesthetic and sensibility in the poetry of Javier Sologuren
Descripción del Articulo
Javier Sologuren and Japan’s relationship was –in his own words– a passion in crescendo, which is manifested through different aspects in his literary work. This essay examines the career of the Peruvian author in order to determine the influence that Japanese lyric worked in his poetry; influence w...
| Autor: | |
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| Formato: | artículo |
| Fecha de Publicación: | 2016 |
| Institución: | Academia Peruana de la Lengua |
| Repositorio: | Boletín de la Academia Peruana de la Lengua |
| Lenguaje: | español |
| OAI Identifier: | oai:ojs.revistas.apl.org.pe:article/700 |
| Enlace del recurso: | https://revistas.apl.org.pe/index.php/boletinapl/article/view/700 |
| Nivel de acceso: | acceso abierto |
| Materia: | Javier Sologuren Japanese poetry Haiku translation poesía japonesa haiku traducción |
| Sumario: | Javier Sologuren and Japan’s relationship was –in his own words– a passion in crescendo, which is manifested through different aspects in his literary work. This essay examines the career of the Peruvian author in order to determine the influence that Japanese lyric worked in his poetry; influence which is not only formal but also arising as a poetic and existential reflection, and –finally– leading to a curious poetic syncretism. In addition, it explores the distinctive way in which Sologuren approached the Japanese culture and the significant role the translation played by in this process. |
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La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
