Diego Mexía de Fernangil: religious poetry and social criticism in 17th-century Peru

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This paper discusses La segunda parte del Parnaso Antártico de divinos poemas (1617) (Antarctic Parnassus, Part Two: Poems of the Divine), by Diego Mexía de Fernangil, whose manuscript is in the National Library of France, with the purpose of extracting some appraising samples of a literary text of...

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Detalles Bibliográficos
Autor: Salvatierra, María de Fátima
Formato: artículo
Fecha de Publicación:2022
Institución:Academia Peruana de la Lengua
Repositorio:Boletín de la Academia Peruana de la Lengua
Lenguaje:español
OAI Identifier:oai:ojs.revistas.apl.org.pe:article/969
Enlace del recurso:https://revistas.apl.org.pe/index.php/boletinapl/article/view/969
Nivel de acceso:acceso abierto
Materia:Peru
social criticism
religious poetry
seventeenth century
Diego Mexia de Fernangil
Perú
crítica social
poesía religiosa
siglo xvii
Diego Mexía de Fernangil
Pérou
critique sociale
poésie religieuse
XVIIe siècle
Descripción
Sumario:This paper discusses La segunda parte del Parnaso Antártico de divinos poemas (1617) (Antarctic Parnassus, Part Two: Poems of the Divine), by Diego Mexía de Fernangil, whose manuscript is in the National Library of France, with the purpose of extracting some appraising samples of a literary text of the 17th century that leads to a critique of Peruvian society, after the first eighty years of the settlement of European institutions. The work under analysis has been selected because it belongs to an author highly representative of the national literature of the 1600s and because it is a famous literary text, although hardly published. Diego Mexía was a book inquisitor, conspicuous member of the Academia Antártica (Antarctic Academy), traveler and notable cultural disseminator. In several passages of his poetry, he cries out about the moral deterioration of the Peruvian social system, dating back four hundred years. We believe that studies such as this one evidence that the current cases of corruption in Peru are not surprising episodes, but have remote manifestations.
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