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artículo
This paper offers and analyses a selection of pictures —with special emphasis on those representing urban scenes — from the photographic collection of Tafos’ Social Photography Workshop. Its main purpose is to highlight some important issues in contemporary discussion about anthropology in general and visual anthropology in particular: (1) theoretical and methodological issues and aspects associated with the experience developed by TAFOS in the field of visual anthropology, and (2) the role that these pictures may have in the construction of Lima’s collective memory.
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artículo
This paper offers and analyses a selection of pictures —with special emphasis on those representing urban scenes — from the photographic collection of Tafos’ Social Photography Workshop. Its main purpose is to highlight some important issues in contemporary discussion about anthropology in general and visual anthropology in particular: (1) theoretical and methodological issues and aspects associated with the experience developed by TAFOS in the field of visual anthropology, and (2) the role that these pictures may have in the construction of Lima’s collective memory.
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artículo
The article proposes a new methodology, the three-perspective approach, for the classification of photographs in archives. It is based on the intersection of visual economy and mass communication theory. This approach understands the archive as a relational phenomenon, where images participate in networks of meaning and power. The three perspectives are the sender and production, the image and circulation, and the audience and consumption, all framed within a specific space/time. The methodology is applied to the case study of the TAFOS project collection, active between 1986 and 1998. The approach allows for multiple classifications according to the version of the archive, and opens new ways to explore its communicative and expressive potential. The proposal seeks to strengthen the continuity of photographic archives as living agents decentered from library logic, promoting discursive d...
4
artículo
The article proposes a new methodology, the three-perspective approach, for the classification of photographs in archives. It is based on the intersection of visual economy and mass communication theory. This approach understands the archive as a relational phenomenon, where images participate in networks of meaning and power. The three perspectives are the sender and production, the image and circulation, and the audience and consumption, all framed within a specific space/time. The methodology is applied to the case study of the TAFOS project collection, active between 1986 and 1998. The approach allows for multiple classifications according to the version of the archive, and opens new ways to explore its communicative and expressive potential. The proposal seeks to strengthen the continuity of photographic archives as living agents decentered from library logic, promoting discursive d...