Mostrando 1 - 7 Resultados de 7 Para Buscar 'comics como function', tiempo de consulta: 0.49s Limitar resultados
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tesis de grado
Films frequently present cultural representations of different countries, however, although there were cinematographic works that were considered as adequate interpretations of different ethnicities ("Do the Right Thing" (1989), "The Joy Luck Club" (1993), among others), there were several representations shown on screen that functioned as a way to mock a culture different from the American one, or to put Americans in a superior position to the rest. It is by considering that one form of representation can be given in relation to the visual aspect of the films, such as the costumes and locations in which the stories take place, that one thinks of how the good use of different details in terms of art direction can help to make a correct cultural representation through its contribution to the construction of the characters. The present research studies the costumes and scenography used in ...
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artículo
With the aim of understanding humor functioning through internet and social network, we will approach memes through a determinate topic: memes about philosophers and thinkers in general since they define a very specific meaning community. We won´t adjust to a single theory, because memes´ multiplicity and their comicalness can´t be submitted by only one way of working or by specific purpose, therefore we will work from different comical concepts, from Baudelaire´s comical and caricature notions, Bajtin´s carnival grotesque concept, passing through Freud´s theories about jokes and laugh, till Bergson, Pirandello and Koestler humor definitions. From the discursive analysis we will try an explanation of how humor works in order to create, to keep and to reinforce social links.
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artículo
Analyzes an episode clownish in the Diegesis of a tale Lima titled While the Candle Burns, by Julio Ramón Ribeyro. The purpose is to detect a comic incident that works as a vestibular space of tragic climax, in the context of an urban narrative characterized by covering thematic regions such as alienation, resignation, Dislove, drowsiness. The laughter in this episode carries the pain, the comic implies the tragic. To these theoretical budgets is associated the philosophical study on the unlevelness that produces the laughter, and which is approached by Alfred Stern and Henri Bergson. These dialogues make it possible to understand the function of the resource of humour in the text, prior to the tragic moment that will be unleashed in the outcome.
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artículo
With the aim of understanding humor functioning through internet and social network, we will approach memes through a determinate topic: memes about philosophers and thinkers in general since they define a very specific meaning community. We won´t adjust to a single theory, because memes´ multiplicity and their comicalness can´t be submitted by only one way of working or by specific purpose, therefore we will work from different comical concepts, from Baudelaire´s comical and caricature notions, Bajtin´s carnival grotesque concept, passing through Freud´s theories about jokes and laugh, till Bergson, Pirandello and Koestler humor definitions. From the discursive analysis we will try an explanation of how humor works in order to create, to keep and to reinforce social links.
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otro
This work is for to the students of the 2nd year of secondary school "Víctor Raúl Haya de la Torre", taking into account the virtuality as a means of teaching due to the current situation we are living focus on distance education. The purpose of this work is that students through two competences identify the different points about the comic strip such as: characteristics, elements and functions, also participate actively in the creation of a comic strip according to its context and necessary tools. Taking into consideration that a support will be provided by means of a support that will provide the teacher with the necessary information to carry out the lesson plan.
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artículo
Transmedia communication has achieved an important evolution and relevance in the last years, being considered by producers and organizations as a key strategy in the development of new projects, known through a diversity of media and platforms. At the same time, this process is influenced by a participative culture made up the prosumers. In this paper, we want to know how and what contribution brings the variety of media in the construction of transmedia worlds. Therefor it is planted as object of study the media ecosystem of Marvel´s Civil War; the comic began as a crossover and now it can be considered one of the transmedia storytelling more complete and complex cases in relation with the multiplicity of media involved.