In this paper, we review the compositional operations of acting in theater rehearsal based on the concept of equality scene (Rancière, 2012). We are interested in how the acting composition manifests itself in independent theater rehearsal read as a possible equality scene. The focus of this work is placed in the theatrical rehearsal and the acting composition. We will share possible theoretical approaches to the term theatrical rehearsal. We will carry out research on the categories and definitions that intervene in the acting repetition that occurs in the acting creative process during rehearsal. Whit the contributions around rehearsal in Alberto Ure (2003), the acting conception in instances of stage composition developed in Cancha con niebla (2003) by Ricardo Bartís, and the acting registers posed by Federico León (2005), we propose a theoretical panorama of the notion of rehearsa...

In this paper, we review the compositional operations of acting in theater rehearsal based on the concept of equality scene (Rancière, 2012). We are interested in how the acting composition manifests itself in independent theater rehearsal read as a possible equality scene. The focus of this work is placed in the theatrical rehearsal and the acting composition. We will share possible theoretical approaches to the term theatrical rehearsal. We will carry out research on the categories and definitions that intervene in the acting repetition that occurs in the acting creative process during rehearsal. Whit the contributions around rehearsal in Alberto Ure (2003), the acting conception in instances of stage composition developed in Cancha con niebla (2003) by Ricardo Bartís, and the acting registers posed by Federico León (2005), we propose a theoretical panorama of the notion of rehearsa...