No presenta resumen

In this article I reflect on the form and function of everyday female objects in my work Mujeres Armadas (2009-2019). Starting from the creation of a singular garment, I extend this proposal to photography and sculpture using the idea of the object from its heterogeneous condition. In this way, I propose a plastic language in which the woman’s body is the support to the extent that it exposes content linked to gender identity and the various themes that arise from it and questions the contemporary image. Likewise, I collect some definitions about the everyday object, ranging from its reason for “being” to its relationship with the work of art, and I review different disciplines and historical moments to, as a Swiss army knife, display some components that explain the importance it has among us.