On June 10, 2003, José Balado inaugurated the Primera Muestra de Documental Peruano. This event is the founding date of contemporary documentary cinema in Peru. The present text seeks to highlight the importance of this event and its impact on the production and reflection around the documentary in Peru.

Among the political documentary cinema in Latin America, Peru documentary has been focused in its internal conflict since the last fifteen years. This subject has been on the core of different analysis and publications. However, the subjective turn has not been taking importance along these works. In this article the author discusses about the importance on the subjectivity through the analysis of the films Alias Alejandro (Cárdenas, 2005) and Sibila (Arredondo, 2012), in which ones with an autobiographical approach results in a complex final product, taking distance of the apparent “truth” representations mainly boarded by classical documentaries films.

On June 10, 2003, José Balado inaugurated the Primera Muestra de Documental Peruano. This event is the founding date of contemporary documentary cinema in Peru. The present text seeks to highlight the importance of this event and its impact on the production and reflection around the documentary in Peru.

Among the political documentary cinema in Latin America, Peru documentary has been focused in its internal conflict since the last fifteen years. This subject has been on the core of different analysis and publications. However, the subjective turn has not been taking importance along these works. In this article the author discusses about the importance on the subjectivity through the analysis of the films Alias Alejandro (Cárdenas, 2005) and Sibila (Arredondo, 2012), in which ones with an autobiographical approach results in a complex final product, taking distance of the apparent “truth” representations mainly boarded by classical documentaries films.

Among the political documentary cinema in Latin America, Peru documentary has been focused in its internal conflict since the last fifteen years. This subject has been on the core of different analysis and publications. However, the subjective turn has not been taking importance along these works. In this article the author discusses about the importance on the subjectivity through the analysis of the films Alias Alejandro (Cárdenas, 2005) and Sibila (Arredondo, 2012), in which ones with an autobiographical approach results in a complex final product, taking distance of the apparent “truth” representations mainly boarded by classical documentaries films.

On June 10, 2003, José Balado inaugurated the Primera Muestra de Documental Peruano. This event is the founding date of contemporary documentary cinema in Peru. The present text seeks to highlight the importance of this event and its impact on the production and reflection around the documentary in Peru.

Establece la incidencia de los proyectos de inversión con responsabilidad social en los grupos de interés del sector industrial alimenticio de Ecuador. En Ecuador se expone este incumplimiento en las ideas de inversión, en la gestión de marketing, ingeniería, organización y aspecto financiero de los proyectos industriales de carácter alimenticio del entorno en estudio. La investigación se centra en los grupos de interés internos y externos, es así que se trabaja con encuestas online y presenciales principalmente con una muestra de 52 industrias distribuidas en la Sierra, Costa y Amazonía y 385 habitantes que fueron servidores públicos, privados, consumidores, proveedores de insumos entre otros grupos de interés. Cabe mencionar que el instrumento aplicado y validado es tomado del Instituto Ethos (Indicadores de Responsabilidad Social), y que en el trabajo se ha utilizado norm...

Presentation by guest editors Maria Eugenia Ulfe, Mercedes Figueroa and Mauricio Godoy to the dossier on experience and experimentation, qualitative and audiovisual methodologies for doing ethnography today.

Presentation by guest editors Maria Eugenia Ulfe, Mercedes Figueroa and Mauricio Godoy to the dossier on experience and experimentation, qualitative and audiovisual methodologies for doing ethnography today.

Presentation by guest editors Maria Eugenia Ulfe, Mercedes Figueroa and Mauricio Godoy to the dossier on experience and experimentation, qualitative and audiovisual methodologies for doing ethnography today.